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June 7: Exploring with Sound Walks

In preparation for the upcoming Sound Walk Sunday in September, the British Library, together with the Museum of Walking, is hosting Exploring with Sound Walks on June 7, 2019. Sign up at eventbrite.

If you’re interested in literature, sound recordings, place, technology and walking, you may wish to attend this event in the Knowledge Centre, at the British Library.

Mahendra Mahey from BL Labs will talk about the Library’s Imaginary Cities exhibition, which showcases fantastical cityscapes created by the Library’s artist in residence Michael Takeo Magruder. 

Andrew Stuck, Founder of the Museum of Walking and podcaster at Talking Walking will talk about Sound Walks, explaining what they are and giving an overview of Sound Walk Sunday, which is scheduled for Sunday 1st September 2019 and the week following.

Cheryl Tipp, Curator of Wildlife & Environmental Sounds at the British Library will talk about this fabulous collection, giving examples of how these recordings have been used creatively.

‘Exploring with Sound Walks’ is an introduction to sound and walking and a venue for bringing people together. If you are interested in ‘sound walking’, or have an idea on how to put that in practice, sign up today.

APA style reference

Fakhamzadeh, B. (2019). June 7: Exploring with Sound Walks. walk · listen · create. https://walklistencreate.org/2019/05/15/june-7-exploring-with-sound-walks/
96 Euston Rd., London NW1 2DB, UK

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2 thoughts on “June 7: Exploring with Sound Walks

  1. Just wondering will there be any streaming (during the event), or video documentation that can be publicly accessed after the event for the benefit of those interested who reside overseas and can’t attend in person?

pedestrian acts

By de Certeau: In “Walking in the City”, de Certeau conceives pedestrianism as a practice that is performed in the public space, whose architecture and behavioural habits substantially determine the way we walk. For de Certeau, the spatial order “organises an ensemble of possibilities (e.g. by a place in which one can move) and interdictions (e.g. by a wall that prevents one from going further)” and the walker “actualises some of these possibilities” by performing within its rules and limitations. “In that way,” says de Certeau, “he makes them exist as well as emerge.” Thus, pedestrians, as they walk conforming to the possibilities that are brought about by the spatial order of the city, constantly repeat and re-produce that spatial order, in a way ensuring its continuity. But, a pedestrian could also invent other possibilities. According to de Certeau, “the crossing, drifting away, or improvisation of walking privilege, transform or abandon spatial elements.” Hence, the pedestrians could, to a certain extent, elude the discipline of the spatial order of the city. Instead of repeating and re-producing the possibilities that are allowed, they can deviate, digress, drift away, depart, contravene, disrupt, subvert, or resist them. These acts, as he calls them, are pedestrian acts.

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