In East and West, for centuries, painters, poets, dancers were walking in the landscape (natural and urban) and finding sources of reference or inspiration. Walking stories are carried in memory and remain existing for as long as there is a body to carry them. Walking is not characterized by one solid approach; it can be drifting, wandering, strolling, aimless, or purposeful. Each one of these practices suggests a body that remembers and they are introducing different approaches of storytelling.

Ten hubs walk and intersect with Prespa during the one week encounters. Meeting link. The Prespa encounters opens with a walk in Chile and ends with a walk in Argentina, inviting to listen and move together through the differences and similarities of landscapes on two sides of the world. The Cartography of Hospitality collective walks

Α collection of digitally captured visual elements is made through walking practices. The visual data that are collected are translated into sonic wavetables. Using software synthesizers these wavetables can be played, sequenced and transposed to different pitches. The endpoint is to create audible translations of natural elements, like landscapes and the macro cosmos, of Prespa

The walking bodymind is a dancing body. As in dance, prolonged repetitive movement can hold the body in a transitional state at the edge of consciousness, in a hypnagogic-like state of lucid questioning, insights, and enhanced creativity. The walking bodymind is a falling forward body, a rolling body, a transitioning body, a questioning body, a