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Mechelen, Belgium

Curated News

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Trods, Trails and Tracks

Stephanie Boxall uncovers stories of our collective heritage as she walks along pathways from the past to the present Source: Resurgence • Article – Trods, Trails and Tracks

Curated news

From observation to art: A look inside ‘Street Stories’ photo tour

Guwahati: This weekend saw Guwahati alive with the spirit of photography – with experienced and novice shutterbugs coming together for a photography tour Source: From observation to art: A look inside ‘Street Stories’ photo tour

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Walking backwards as counter-ritual

Paulo Nazareth’s 2013 performance, L’Arbre D’Oublier, provokes nostalgic grief for the lost mother. Source: Walking backwards as counter-ritual

Curated news

Magnetic north, true north and grid north align over Great Britain for the first time in history

OS’s Mark Greaves explains how true north, magnetic north and grid north will combine at a single point in Great Britain for the first time ever. Source: Magnetic north, true north and grid north align over Great Britain for the first time in history

‘It beats aimless walking’: Mechelen’s streets become covid art gallery

Several artists left displaced by the coronavirus pandemic have taken over the windows of coffee shops and bars in the Flemish city of Mechelen, effectively turning the entire city into an urban art g

Source: ‘It beats aimless walking’: Mechelen’s streets become covid art gallery

Submitted by: Babak Fakhamzadeh

pedestrian acts

By de Certeau: In “Walking in the City”, de Certeau conceives pedestrianism as a practice that is performed in the public space, whose architecture and behavioural habits substantially determine the way we walk. For de Certeau, the spatial order “organises an ensemble of possibilities (e.g. by a place in which one can move) and interdictions (e.g. by a wall that prevents one from going further)” and the walker “actualises some of these possibilities” by performing within its rules and limitations. “In that way,” says de Certeau, “he makes them exist as well as emerge.” Thus, pedestrians, as they walk conforming to the possibilities that are brought about by the spatial order of the city, constantly repeat and re-produce that spatial order, in a way ensuring its continuity. But, a pedestrian could also invent other possibilities. According to de Certeau, “the crossing, drifting away, or improvisation of walking privilege, transform or abandon spatial elements.” Hence, the pedestrians could, to a certain extent, elude the discipline of the spatial order of the city. Instead of repeating and re-producing the possibilities that are allowed, they can deviate, digress, drift away, depart, contravene, disrupt, subvert, or resist them. These acts, as he calls them, are pedestrian acts.

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