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52 More (2021-ongoing) After I finished 52 Scores (2019-2020) I was left with a pile of off-cuttings. Words I considered, but didn’t use. Now I’d like to invite you to use them with me as part of 52 More. If you’d like to participate, e-mail me y...
Following on from ‘over borders #1’ (also available as a free download) we have curated a PDF collection of scores (photographic, text, graphic) that use the act of walking as a way to question the objectification of environments and the role of ‘stepping back’ from a human centric view of place.
Listening and Noticing This first step will provide a practical set of inputs and resources for how to document your perspective on everyday sonic moments. Techniques and strategies discussed in this session are suggested as ways of approaching our daily collective soundwalks into the streets of Livorno. To participate, any combination of the following are
Where do you want to spend eternity? Yoko Ono An inter- art workshop, an audio guide walking experience based on the method of scores, combining the live, embodied, experience, the nature and the place with references and stimuli from works of art and literary texts .Our initial inspiration is based on the 1st score in
In conjunction with WLC2021, 'over borders #2' will be published alongside a curated collection of scores by Jez Riley French, Pheobe Riley Law, and other artists exploring themes of borders in various forms. This collection, featuring works referencing social, political, virtual, perceptual, environmental, or interspecies borders, is available as a free PDF download.
Kortrijk Tracks is a series of nine self-performative audio-guide and score pieces available through the Wilde Westen music festival and Kortrijk tourist office, designed for site-specific or generic performance. Participants can download audio files and scores to perform in any order, ideally using open headphones to integrate environmental sounds with the audio material.
the [video]flâneur
The artist walks like a „Flâneur“ through the city. He does not have a turtle with him (as the original Parisian Flâneur of the 1830‘s used to); later, he does not write stories, he does not write poems. He has only a video camera. He takes shots of the city; he takes shots of the “life” of the people of the city, sometimes he also shoots “himself” (…without camera moves, without zooming, without special lighting, with original sound, without permission); Later he chooses and combines the scenes, Installs and presents them online, offline, on site or off site, always under different contexts.
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