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Mt Hopeless

Finally we made it to Mt Hopeless. It was a morning walk from the over night camp. This is looking south back on the camel train from the top of Mt Hopeless just after midday. The light was bad then so I decided to return in the late afternoon. Looking north to Lake Callabonne fromthe […]

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Mount Hope SA 5607, Australia Mount Hope SA 5607, Australia
Mount Hope SA 5607, Australia

The Long Road to the North

The website lajaman.com is the digital presence of Lajamanu, a remote Indigenous community located in the Northern Territory of Australia. The site provides extensive information about the community’s culture, history, and contemporary life, along with insights into its social and environmental context. It highlights the significance of Lajamanu’s location in relation to the Warlpiri people, detailing their connection to land, language, and traditions. The site also includes resources related to local governance, education, and community services, reflecting the complex interplay between traditional practices and modern frameworks within the settlement. Additionally, the website features various multimedia elements such as photographs and maps that underscore the geographic and cultural landscape of Lajamanu. It documents community events and projects that focus on preserving and promoting Warlpiri cultural identity. The content serves as a resource for those interested in Indigenous Australian cultures, remote community life, and the broader issues surrounding land rights, language maintenance, and cultural sustainability in Australia's desert regions.

Flinders Ranges

Collection · 26 items

Landscape

Collection · 393 items

Mt Hopeless

Collection · 1 items

Regions

South Australia

Region · 7 sub-regions · 97 items

the [video]flâneur

The artist walks like a „Flâneur“ through the city. He does not have a turtle with him (as the original Parisian Flâneur of the 1830‘s used to); later, he does not write stories, he does not write poems. He has only a video camera. He takes shots of the city; he takes shots of the “life” of the people of the city, sometimes he also shoots “himself” (…without camera moves, without zooming, without special lighting, with original sound, without permission); Later he chooses and combines the scenes, Installs and presents them online, offline, on site or off site, always under different contexts.

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