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Score #7 by Corona Walker (Barbara Lounder) For Score #7, Corona Walker has created an instruction that considers ‘Perforations, inversions, intersections and interactions as transformations’. We invite you to walk it when you feel that you hav...
Masterclass @ SONOHR – Festival 26.-28. September 2021 What happens when the world in your headphones overshadows the real one? When both spaces complement, irritate and question the other? In this masterclass, we’ll be on the lookout for the third space that can be created in an audiowalk. We’ll be delving into the origins of
Join an uplifting coaching walk. Choose your own local route and walk at a pace that suits you. Anise will guide, coach and connect the group via Zoom as you wander. We’ll be walking in November – a time when we can often be overly busy and missing the sunshine of summer. We’ll be thinking
Drummer and writer Susanne Lambert relocated to Berlin during the Corona lockdown and adapted to limited social interaction by exploring the city through daily walks. She reads and interprets her new environment uniquely, despite minimal direct feedback on local meanings.
"I Don’t Remember Me The Rain" is a sound walk created during Sound Walk September 2020 in Sint-Niklaas, reconstructing a past journey through a blend of urban and natural sounds and personal memories. The piece serves as a tribute to a late artist friend and reflects on themes of memory, transience, and the observational role of walking in artistic practice.
The walkshop is focusing on the adjacent points of Prespa (Greece, Albania, Northern Macedonia) and how they exist and do not exist at the same time. It is this instantaneous and simultaneous existence and non-existence of boundaries that this practice aims to explore and highlight.Five portable devices are placed along the borders. They simultaneously retransmit
squail-legs
Pigeon-toed person. from the Dictionary of Newfoundland English (University of Toronto Press, 1982).
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