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Où Desartsonnants vous invite à jeter une paire d’oreilles Z‘ubaines hors des chantiers battus, à oser l’inécoutable, le mal entendu, la triviale poursuite sonore, les dessous, marges et franges de la ville où l’oreille...
This paper analyzes Christina Kubisch's Five Electrical Walks, a sound art piece where participants use special headphones to hear electromagnetic waves from urban electric sources. It explores the work’s dual revelation of the city as both an unexpectedly musical organic system and an alien, inorganic soundscape, accompanied by an audio presentation featuring guided walks and synthesized sound examples in multiple languages.
A floating roof of sound in Dublin, GPS-triggered & accessed by headphones & Echoes app to playfully reframe public space as an essential community engagement. One of 15 in an international series drawing on Oskar & Zofia Hansen’s Open Form concept.
This artwork incorporates sound recordings captured beneath pylons alongside images of pylons converted into sounds, available on the Echoes.xyz app. The piece begins at North Greenwich Station in London and leads toward A Bullet from a Shooting Star, created for the Greenwich SOUND/IMAGE Festival.
A Conversation for Robot and Fly is a three-movement sound work combining field recordings from rural Leicestershire, overheard conversations, and sounds from the Birmingham School of Art building. This version is presented as a geolocated sound piece accessible via the Echoes App at the original site on Margaret Street, Birmingham.
scow-ways, scowish
On a slant, as in “Walk scow-ways across the street as slow as you can and dare them to hit you.” from the Dictionary of Newfoundland English (University of Toronto Press, 1982).
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