Walks, words and making about the Fenn's Whixall and Bettisfield Mosses NNR, and featuring The Mosses and Marshes project which spans two countries – the UK and Australia, both with Ramsar listed wetlands of international importance. It brings tog...

The website "Code as Prosthesis" serves as an online platform exploring the intersections between code, technology, and human experience through an artistic and theoretical lens. It presents a collection of essays, projects, and artworks that investigate how code functions not only as a tool but also as an extension or augmentation of the body and mind. The content engages with themes related to digital embodiment, posthumanism, and the ways computational practices reshape perception, identity, and our interaction with space and culture. Structured around contributions from diverse artists, theorists, and researchers, the site delves into critical and speculative approaches to understanding code beyond its technical dimensions. It situates code within broader cultural and philosophical contexts, addressing its role in contemporary art practices and questioning normative relationships between human and machine. The material reflects a multidisciplinary inquiry, combining insights from media theory, cybernetics, and cultural geography to emphasize the prosthetic nature of technological interfaces in mediating lived experience.

The website of Stefaan Van Biesen presents a comprehensive overview of his work as an artist and researcher, with a particular emphasis on walking as an artistic and investigatory practice. It features examples of his projects that intersect art, cultural geography, and performative walking, exploring spatial narratives and urban experiences through site-specific interventions. The content highlights key exhibitions, collaborations, and publications that reflect his interest in how movement and place-making contribute to cultural understanding. The site also documents Van Biesen’s approach to walking art as a tool for engaging with landscapes and social contexts, often merging personal reflection with broader socio-political themes. It includes visual materials such as photographs, videos, and maps that accompany his written explorations, providing insight into his methodologies and conceptual frameworks. Overall, the website situates Stefaan Van Biesen within the contemporary discourse on walking as a mode of critical inquiry and creative expression in cultural geography and art.

The website dedicated to Richard Westcott’s poetry serves as a comprehensive digital archive and resource for the poet’s body of work. It features a collection of his poems, organized into thematic and chronological categories, providing insight into his stylistic evolution and recurring motifs. The site also includes biographical information situating Westcott’s work within broader literary contexts, along with critical essays and interpretive materials that explore his contributions to contemporary poetry. Additionally, the website offers access to audio recordings and readings, allowing users to engage with the oral dimension of Westcott’s poetry, which is integral to understanding its rhythm and tone. There are sections highlighting his participation in poetry festivals and collaborative projects, reflecting his active role in the poetry community and the cultural geography of poetic expression. The site’s structure underscores a focus on both preservation and scholarly engagement, making it a valuable resource for researchers and enthusiasts of modern poetry.