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 Six bonnes raisons pour (se) construire des paysages sonores

Du plaisir avant tout  Dans une société où les tensions anxiogènes ne manquent pas, avoir du plaisir, à faire, à entendre, à écouter, est une chose plus que bénéfique, sinon vitale. Bien sûr, le monde est complexe, brouillon, bouillonnant, parfois au bord de la saturation, et tout n’y est pas, tant s’en faut, réjouissant, y … Continuer à lire ... " Six bonnes raisons pour (se) construire des paysages sonores"

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Kaliningrad, Kaliningrad Oblast, Russia Kaliningrad, Kaliningrad Oblast, Russia
Kaliningrad, Kaliningrad Oblast, Russia

POINTS D'OUÏE, PAYSAGES SONORES PARTAGÉS

PAS - Parcours Audio Sensibles
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Paysages sonores

Sub-collection · 116 items
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sound

Sub-collection · 247 items
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Sound arts

Sub-collection · 384 items
Sub-collection

soundscapes

Sub-collection · 204 items

pedestrian acts

By de Certeau: In “Walking in the City”, de Certeau conceives pedestrianism as a practice that is performed in the public space, whose architecture and behavioural habits substantially determine the way we walk. For de Certeau, the spatial order “organises an ensemble of possibilities (e.g. by a place in which one can move) and interdictions (e.g. by a wall that prevents one from going further)” and the walker “actualises some of these possibilities” by performing within its rules and limitations. “In that way,” says de Certeau, “he makes them exist as well as emerge.” Thus, pedestrians, as they walk conforming to the possibilities that are brought about by the spatial order of the city, constantly repeat and re-produce that spatial order, in a way ensuring its continuity. But, a pedestrian could also invent other possibilities. According to de Certeau, “the crossing, drifting away, or improvisation of walking privilege, transform or abandon spatial elements.” Hence, the pedestrians could, to a certain extent, elude the discipline of the spatial order of the city. Instead of repeating and re-producing the possibilities that are allowed, they can deviate, digress, drift away, depart, contravene, disrupt, subvert, or resist them. These acts, as he calls them, are pedestrian acts.

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