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Graeme Miller, Linked (2003-)
“Commissioned by the Museum of London, Graeme Miller’s ongoing Linked project opened in July 2003 as a massive semi-permanent sound work and off-site exhibition of the contemporary collection of the Museum of London. Stretching across from Hackney Marshes to Redbridge, the M11 Link Road was completed in 1999 after the demolition of 400 homes, including […]
Walking as Artistic Practice
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Exodus
Exodus (1992) by Steve McQueen is a silent Super 8 film showing two West Indian men walking while carrying coconut palms through London. The film quietly explores themes of migration and belonging, capturing a fleeting, poetic moment of Black presence with minimal narrative and a handheld, observational style.
ALL BLOG POSTS – Tamsin Grainger
The URL leads to the blog section of Tamsin Grainger’s website, which features a collection of posts centered around walking art and cultural geography. The blog documents various projects, reflections, and research relating to walking as an artistic practice and its intersections with place, memory, and identity. Entries include explorations of specific walks, exhibitions, collaborations, and theoretical discussions that engage with landscape and cultural narratives through the act of walking. Throughout the posts, the content is rich with detailed observations about environments and communities encountered during walking projects, alongside photographic documentation and maps. The blog serves as an archive of Grainger’s ongoing inquiry into how walking creates embodied connections to geography and how it can act as a method for cultural storytelling and artistic expression. This provides insight into the ways walking practices contribute to understanding spatial histories and contemporary cultural dynamics.
Anastasia-Zoi Souliotou
The website titled "anastasiazoisouliotou.wordpress.com" serves as a digital portfolio and professional archive for Anastasia Zoisouliotou, an artist and researcher whose work intersects walking practices, art, and cultural geography. The site contains detailed descriptions of her projects, which often explore themes such as spatial experience, landscape interpretation, and embodied movement through urban and natural environments. It includes photographic documentation, maps, and text-based reflections that provide insight into her methodology and conceptual approach. Additionally, the site hosts academic presentations, publications, and information on her involvement in collaborative research and exhibitions, revealing a multidisciplinary engagement with the cultural dimensions of walking as an art form. The content on the website highlights several site-specific walking investigations, demonstrating how the artist uses routes and trails as tools for critical observation and narrative construction. The projects frequently emphasize the relationship between place, identity, and memory, drawing on both personal and collective histories embedded in geographic locations. The research extends to performance components and participatory events, showing how walking can be both an artistic practice and a mode of geographic inquiry. Throughout, the site thoughtfully situates the artist’s work within broader discourses on psychogeography, landscape studies, and environmental humanities.