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The Years

I know it is weird to divide my almost three decades in the city into before, during, not-quite-over, and after the pandemic, but I find myself increasingly slicing and muddling my life into these time frames. Conversations, memories, friendships, the logbook of losses, mood swings, even dreams, appear to be structured by these frames. This piece reflects on my years in the city and grapples with the relationship between longing and loss, forgetting and remembering, even as I know well that this relationship is unstable and contradictory and can never be resolved. This relationship does not dwell in the realm of my imagination. I live and feel it, and I will forever draw and redraw its contours and trajectories, mourning the impossibility of returning to that which is lost, and often not knowing what it is that I long for. There is no cure for this affliction. … Continue reading The Years

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Nizamuddin, Humayun's Tomb, Nizamuddin West, New Delhi, Delhi, India
Nizamuddin, Humayun's Tomb, Nizamuddin West, New Delhi, Delhi, India Nizamuddin, Humayun's Tomb, Nizamuddin West, New Delhi, Delhi, India
Nizamuddin, Humayun's Tomb, Nizamuddin West, New Delhi, Delhi, India

Chiragh Dilli

Chiragh-e-Dilli, or the Lamp of Delhi, was a title given to the fourteenth-century Sufi poet Nasiruddin Dehlavi, from which a neighbourhood in Delhi derives its name, as does this blog. The blog explores, discovers and suggests ways of seeing and writing the city. Delhi for us is not just a field, a backdrop, a grid or a context. We are located and invested in its ‘being and becoming’—it tells us how and what to see, feel and imagine. We can sometimes be found sitting across Bashiruddin Ahmad, drinking endless cups of chai with him, as he draws out meticulous observations on the city. Other times, we are walking through weekly bazaars and haggling for earrings, or catching a battery rickshaw, the metro or a mudrika across the endlessly circular city for a jalebi. We are forever looking for those tiny corners of comfort and conversations, through congested alleyways of life and living, which make the city possible.

bazaars

Collection · 2 items

nostalgia

Collection · 5 items

Ways of Seeing

Collection · 7 items
Sub-collection

writing the city

Sub-collection · 7 items

GPS, geo-poetic system

Geo-poetic system was a term coined by Lucy Frears during locative media art research (published 2017). The basis of geopoetics, a theory and practice developed by Scottish philosopher and poet Kenneth White, is to connect humans to the lines of the earth (White cited in McManus 2007: 183), or ‘what’s out there’ (Ingold 1993; 154; White 2005: 200; White 2006: 9). The contact White describes is often between the human mind and the earth, what he calls ‘landscape-mindscape’ (Legendre 2011: 121). Because of the embodied nature of locative media experiences using a smartphone in landscape for these walking art experiences using gps technologies Frears expanded this notion to being ‘landscape-mindscape-bodyscape’ (2017).

Added by Lucy Frears
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