From revolution to Jesus, the evolution of 65 East 125th Street, Harlem, NYC photographed by Camilo José Vergara since 1977 Source: The Changing Face of 65 East 125th St., Harlem, 1977 – 2025 – Flashbak

In Charleroi, the photographer is showing “Île Brésil,” the fruit of ten years spent wandering on foot, by bus and by motorbike through the outskirts of the country’s three great cities: São Paulo, Rio, and Brasília. A drift, in the sense Guy Debord gave that word: a voluntary surrender to the pull of the terrain.

“The idea of finding the regulars in this chaos came up – then much later in the process, finding their behaviours and rituals in their commute from A to B.” – Peter Funch     For nine years, Peter Funch photographed the same corner of New York City – 42nd Street and Vanderbilt Avenue –

“My aim is to preserve the atmosphere of these places before they change, are restored, or disappear entirely,” Kerwin says. Source: Cuba’s Distinctive Architecture Glows in Vibrant Photos by James Kerwin — Colossal

Photographer Quintin Lake spent five years walking the coast of mainland Britain. He explains why the coast tells Britain’s story better than anywhere else. Source: What I learned from walking Britain’s entire coast

This conference invites photographers and other practitioners working with photographic images to present visual essays, photobooks, and other photography-based works that respond to these twin meanings of errar: Projects that wander, drift, or deviate; works that embrace experimentation, doubt, and the productive potential of the mistake. We welcome proposals that explore the photographic as a

The statue depicts a man striding atop a pillar, holding a large, flowing flag that covers his face. Source: Banksy behind new flag statue in London. Why the artist put it there