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37. Kit Dobson, Field Notes on Listening

Like Jenna Butler’s Revery: A Year of Bees, I’m teaching Kit Dobson’s Field Notes on Listening this summer, and rereading it in preparation for last week’s classes was a revelation: I had forgotten it was so good. The book is structured like a musical composition, with three movements bracketed by a prelude and a coda, . The prelude … Continue reading 37. Kit Dobson, Field Notes on Listening →

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Athabasca River, Improvement District No. 12, AB T0M 2H0, Canada
Athabasca River, Improvement District No. 12, AB T0M 2H0, Canada Athabasca River, Improvement District No. 12, AB T0M 2H0, Canada
Athabasca River, Improvement District No. 12, AB T0M 2H0, Canada

Reading and Walking

The website Reading and Walking explores the interdisciplinary relationship between walking as a practice and the act of reading, examining how both activities engage with spatial and experiential dimensions. It features a range of essays, projects, and research that investigate walking as a method for reading environments, landscapes, and texts. This site presents walking not merely as physical movement, but as a cultural and intellectual practice that intersects with literary studies, geography, and art. The content highlights theoretical frameworks and case studies that link walking with various modes of interpretation, emphasizing how movement through space influences perception and understanding. It includes contributions from scholars and practitioners who address themes such as psychogeography, urban exploration, and the role of walking in narrative structures. The site serves as a resource for those interested in the cultural geographies of walking and its implications for reading both cityscapes and written works.
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the [video]flâneur

The artist walks like a „Flâneur“ through the city. He does not have a turtle with him (as the original Parisian Flâneur of the 1830‘s used to); later, he does not write stories, he does not write poems. He has only a video camera. He takes shots of the city; he takes shots of the “life” of the people of the city, sometimes he also shoots “himself” (…without camera moves, without zooming, without special lighting, with original sound, without permission); Later he chooses and combines the scenes, Installs and presents them online, offline, on site or off site, always under different contexts.

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