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Nomadisme et voyages sonores, espaces d’écoute temporaires et partagés…
Il m’est parfois difficile, pour différentes raisons, de fixer une activité dans un lieu précis, espace qui relèverait de l’immeuble (ce qui, aux vues de la loi, ne peut être déplacé), ou pire, de l’immobilité, physique et projectuelle.Les contingences matérielles, techniques, occasionnellement financières, poussent mes expériences de terrain à voyager d’un lieu à l’autre, hors-les-murs.Exemple […]
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Ubiquitous Objects Transform into Ambient Soundscapes in Zimoun’s Installations — Colossal
In his expansive soundscape installations, Zimoun frequently references the tension between chaos and order. Source: Ubiquitous Objects Transform into Ambient Soundscapes in Zimoun’s Installations — Colossal
The Historical Ear: What is Auditory History? Conference
In March 2026 (20-21), the IMS Study Group Auditory History is organising its inaugural conference. The Call for Papers is now open: auditoryhistory.musicology.org/conference We are looking forward to proposals dealing with historical sound(s) in different forms, across time and space, and especially those considering them in a multisensorial context, engaging with critical theories and reflection on
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WALC Online course Session 4 : Walking the World / Marcher le Tout-Monde: Mobility, Anthropology, and Artistic Practice
This session reflects on walking across cultures in Europe, Asia, Africa, and North America. Through films and field-based artworks, Sylvie Marchand presents her ethnographic and artistic approach shaped by the movements of the communities she works with.
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