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Alisa Oleva the Walking Artist Inviting Us to View the City Differently • Inspiring City

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The Disappearance of the Public Bench

Benches are microcosms of an expansive debate about who belongs in urban public spaces. When they are removed or made uninviting, we lose more than just a place to rest. Source: The Disappearance of the Public Bench

Curated news

How bold can we be? — Footways

Earlier this month, New Perspectives on Walking and Wheeling in Cities kicked off the London Walking Festival with a one-day conference at the University of Westminster.  The event brought together a wide range of voices – scientists, councillors, campaigners, urban designers, planne Source: How bold can we be? — Footways

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Field Notes: A Beginner’s Guide to Soundwalks | Bandcamp Daily

Soundwalking exists at the intersection of art, field recording, urban studies, and acoustic ecology. Source: Field Notes: A Beginner’s Guide to Soundwalks | Bandcamp Daily

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To ‘Walk the House,’ Do Ho Suh Traverses Memory and Perceptions of Home — Colossal

“Is home a place, a feeling, or an idea?” is the relatable question at the heart of Do Ho Suh’s major survey open now at Tate Modern. Source: To ‘Walk the House,’ Do Ho Suh Traverses Memory and Perceptions of Home — Colossal

Walking artist Alisa Oleva explores home, belonging and the hidden rhythms of urban life, inviting us to see familiar streets differently.

Source: Alisa Oleva the Walking Artist Inviting Us to View the City Differently • Inspiring City

Submitted by: Babak Fakhamzadeh

oversupinate

People who jog, run, and sprint have their share of problems that slow-moving people can barely comprehend. One is oversupination. As the OED defines it, to oversupinate is “To run or walk so that the weight falls upon the outer sides of the feet to a greater extent than is necessary, desirable, etc.” A 1990 Runner’s World article gets to the crux of the problem: “It’s hard to ascertain exactly what percentage of the running population oversupinates, but it’s a fraction of the people who think they do.” Credits to Mark Peters.

Added by Geert Vermeire
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