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post Walking Off the Big Apple New 19 Aug, 2026

The Renaissance on W. 57th Street, and Fanciful Creatures at the Met Cloisters

I recommend a fresh visit to W. 57th Street if you haven’t enjoyed the Renaissance lately. Two buildings I passed recently on W. 57th offer two perspectives on the Renaissance style of architecture. The Art Students League of New YorkThe Art Stude...

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Walking Off the Big Apple

The website "Walking Off The Big Apple" is dedicated to exploring New York City through carefully curated walking tours, emphasizing the intersection of urban geography, history, and cultural landmarks. It offers detailed itineraries and maps that guide users through various neighborhoods, connecting architectural features, public art, and site-specific stories to broader socio-cultural developments in the city. The content reflects a scholarly approach to walking as a method of spatial inquiry, highlighting how the layered urban environment embodies historical narratives and ongoing cultural transformations. In addition to route descriptions, the site provides contextual essays that delve into the evolution of New York’s urban landscape, including discussions on urban planning, public space usage, and the symbolism embedded in street layouts and building designs. By framing walking as both an experiential and educational practice, the platform situates itself within the tradition of psychogeography and urban studies, allowing users to engage with the city’s geography beyond conventional tourist perspectives.
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pedestrian acts

By de Certeau: In “Walking in the City”, de Certeau conceives pedestrianism as a practice that is performed in the public space, whose architecture and behavioural habits substantially determine the way we walk. For de Certeau, the spatial order “organises an ensemble of possibilities (e.g. by a place in which one can move) and interdictions (e.g. by a wall that prevents one from going further)” and the walker “actualises some of these possibilities” by performing within its rules and limitations. “In that way,” says de Certeau, “he makes them exist as well as emerge.” Thus, pedestrians, as they walk conforming to the possibilities that are brought about by the spatial order of the city, constantly repeat and re-produce that spatial order, in a way ensuring its continuity. But, a pedestrian could also invent other possibilities. According to de Certeau, “the crossing, drifting away, or improvisation of walking privilege, transform or abandon spatial elements.” Hence, the pedestrians could, to a certain extent, elude the discipline of the spatial order of the city. Instead of repeating and re-producing the possibilities that are allowed, they can deviate, digress, drift away, depart, contravene, disrupt, subvert, or resist them. These acts, as he calls them, are pedestrian acts.

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