In Still Visible After Gezi, Roberley Bell documents 16 Istanbul trees photographed in 2010 and revisited in 2015. The installation traces memory, survival, and urban change, using frames to show each tree’s past, present, and absence after the city’s transformations.

Every Foot of the Sidewalk photographs Montreal’s Boulevard Saint-Laurent devoid of people, revealing sidewalks as empty, almost wild spaces. The project explores absence, urban presence, and spontaneous social engagement through walking and photography.

Pasajes IV continues Díaz Morales’ video series, linking disconnected spaces through a guiding character. Set in Patagonia, the work unites varied landscapes like puzzle pieces, exploring geography, movement, and the region’s present.