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Is it possible to tread lightly on our world?
Radhika Subramaniam is Associate Professor of Visual Culture at Parsons School of Design/The New School in New York City where she was also the first Director/Chief Curator of the Sheila C. Johnson Design Center from 2009 to 2017. With an interdisciplinary practice as curator and writer, she explores crises and surprises as they emerge in urban life, walking, art and
Is it possible to tread lightly on our world?
A Walking Writers Salon with Radhika Subramaniam Associate Professor of Visual Culture at Parsons School of Design/The New School in New York City where she was also the first Director/Chief Curator of the Sheila C. Johnson Design Center from 2009 to 2017. With an interdisciplinary practice as curator and writer, she explores crises and surprises as they emerge in urban
Walking Through Countryside’s Forgotten Colonial Histories Tickets, Tue, Sep 24, 2024 at 1:00 PM | Eventbrite
Join us to explore walking as a methodology to the entanglement between rural landscapes and colonialism.Walking Through Countryside’s Forgotten Colonial Histories Tickets, Tue, Sep 24, 2024 at 1:00 PM | Eventbrite
Walking below the skyline in Oxford
Rawz created Forgotten Stories Of Oxford, a Spoken Word collection which forms a walking tour of central Oxford, offering a glimpse behind the facade of a city whose name is synonymous with global elitism. This work is one of the shortlisted pieces for the Sound Walk September Awards 2025. Below, Rawz discusses the piece, and what lead to its
Footprint: Four Itineraries takes the footprint for a walk—to the Himalayas, the American southwest, to Arnhem Land and the moon, through monuments, prehistoric sites, sidewalks, and paintings, alongside artists, cartographers, surveyors and trackers, hesitating at revolutionary debate and solitary reverie, waylaid by war and land claims, sniffing greed and curiosity, recognizing both falter and fit, moving stealthily and boldly—to test the lasting power of this very material metaphor.
The book probes the long history of the footprint’s manifestation in the human imagination. It has signified mobility and occupation, inquiry and imperialism, absence and presence, trace, and impact. As a metaphor, it is ubiquitous and oddly self-evident. The book’s four itineraries trace the contradictory forensic evidence offered by the footprint’s many appearances. How can that dreamy print of your sole in the sand also signify that the planet is dying? When did a lithe mobile residue become a leaden artifact? Stories of footprints testify to colonialism, imperialism, and suppression but woven through them are histories of desire, persistence, mobility, and of lightness. In taking you on a series of journeys to understand why and what it means for our future, Footprint: Four Itineraries asks if it is yet possible to tread lightly on our world.

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