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Renegade Guides Handbook

Renegade Guides Handbook
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Walking Art

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Walking writing

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When a walking artist is a Renegade Guide

Towards the end of 2024, during a highly contentious election season, writer, guide and founder of Living London, Saira Niazi, spent two months in the US (New York and San Francisco) developing a research project on tour guiding. Attending various walking tours and community events, exploring hidden gems and local neighbourhoods and interviewing renegade guides,

Saira Niazi Andrew Stuck
video

When a Walking Artist is a Renegade Guide

A walk · listen · cafe with Saira Niazi Towards the end of 2024, during a highly contentious election season, writer, guide and founder of Living London, Saira Niazi, spent two months in the US (New York and San Francisco) developing a research project on tour guiding. Attending various walking tours and community events, exploring

Saira Niazi Andrew Stuck
video

Slow and Steady – celebrating the 2024 Marŝarto Award with Tamsin Grainger (Winner) & Marie Anne Lerjen (Honourable Mention)

The Marŝarto Awards complement our Sound Walk September Awards providing a cash prize incentive to artists to submit their compositions for the only award for walking art. Entering its third year, we want to celebrate the winner and honourable mention from the previous year, and are delighted that Tamsin Grainger (winner) and Marie-Anne Lerjen (honourable

Tamsin Grainger lerjentours
video

A 100 day walk across Europe with a wolf for company

Video recording of a Walking Writers Salon with Adam Weymouth, author of Lone Wolf: Walking the Faultlines of Europe. Conservation policies across Europe have been encouraging ‘re-wilding’ of landscapes, including the re-introduction for animals that once roamed more freely. Scientists have been tracking such re-introductions, and back in 2011, a wolf left its family pack

Adam Weymouth Andrew Stuck
book

Nightwalking: A Nocturnal History of London

A captivating history of the city at night and the people, writers and workers who inhabit the London darkness In this brilliant work of literary investigation, Matthew Beaumont shines a light on the shadowy perambulations of poets, novelists and thinkers: the fetid, treacherous streets known to Chaucer and Shakespeare; William Blake and his ecstatic peregrinations;

Matthew Beaumont

The Renegade Guides Handbook, a new resource created with and for walking guides, is now live and available to download for free from Saira Niazi‘s Living London website. Alternatively, you can purchase a physical copy on her online bookshop.. 

The handbook is filled with practical advice, reflections, case studies, stories, ideas and a manifesto. I am sure it will be of benefit to those in our community as well as those interested in joining our community! More below –

“I’ve often asked myself, what is a tour guide, really? Your work helps answer that. It redefines guiding as a platform for social change and storytelling rooted in respect for place and people. This guide shows that a tour guide is multi-dimensional—and it’s a resource we need.” – Larry Henderson, Soul of Harlem

“This guide is a great resource for people who are struggling and looking for ways to help their community.” – Alexandra Maruri, Bronx Historical Tours

 “What an incredible resource!” – Barnali Ghosh, Berkeley South Asian Radical History Walking Tour

Towards the end of 2024, during a highly contentious election season, writer, guide and founder of Living London, Saira Niazi, spent two months in the US (New York and San Francisco) developing a research project on tour guiding.


Attending various walking tours and community events, exploring hidden gems and local neighbourhoods and interviewing renegade guides, organisers and storytellers from all walks of life, Niazi sought answers to the pressing questions that prompted her journey. What makes a tour? Who decides which stories get shared? How can we better support our communities?


pedestrian acts

By de Certeau: In “Walking in the City”, de Certeau conceives pedestrianism as a practice that is performed in the public space, whose architecture and behavioural habits substantially determine the way we walk. For de Certeau, the spatial order “organises an ensemble of possibilities (e.g. by a place in which one can move) and interdictions (e.g. by a wall that prevents one from going further)” and the walker “actualises some of these possibilities” by performing within its rules and limitations. “In that way,” says de Certeau, “he makes them exist as well as emerge.” Thus, pedestrians, as they walk conforming to the possibilities that are brought about by the spatial order of the city, constantly repeat and re-produce that spatial order, in a way ensuring its continuity. But, a pedestrian could also invent other possibilities. According to de Certeau, “the crossing, drifting away, or improvisation of walking privilege, transform or abandon spatial elements.” Hence, the pedestrians could, to a certain extent, elude the discipline of the spatial order of the city. Instead of repeating and re-producing the possibilities that are allowed, they can deviate, digress, drift away, depart, contravene, disrupt, subvert, or resist them. These acts, as he calls them, are pedestrian acts.

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