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The Company of Owls

The Company of Owls
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nature writing

Sub-collection · 16 items
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prose

Sub-collection · 36 items

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Words to Light the Dark

What can the planet’s past tell us about the future? How do we relate to nature when our bodies try to keep us from it? And how do you write about creatures that don’t wish to be found?   Join Wainwright Prize-nominated authors Sophie Yeo, Polly Atkin, and Chantal Lyons – host of this Salon and walk · listen · create’s Writer-in-Residence – as

Polly Atkin Sophie Yeo +1
book

Nature’s Ghosts: the world we lost and how to bring it back

For thousands of years, humans have been the architects of the natural world. Our activities have permanently altered the environment – for good and for bad. In Nature’s Ghosts, award-winning journalist Sophie Yeo examines how the planet would have looked before humans scrubbed away its diversity: from landscapes carved out by megafauna to the primeval forests

Sophie Yeo
book

Some of Us Just Fall

‘Defiant and dazzling’Freya Bromley, author of The Tidal Year‘Essential reading’Jessica J. Lee, author of Turning‘It raises the standard of nature writing. This is both radical manifesto and activism in book form’Sally Huband, author of Sea Bean After years of unexplained health problems, Polly Atkin’s perception of her body was rendered fluid and disjointed. When she was finally diagnosed

Polly Atkin
book

Groundbreakers: the return of Britain’s wild boar

SHORTLISTED FOR THE 2024 WAINWRIGHT PRIZE FOR CONSERVATION – HIGHLY COMMENDED ‘Full of joy, pathos, warmth, integrity and intrigue.’ AMY-JANE BEER‘One of the most notable works of recent nature writing.’ HELEN MACDONALD‘A thrilling expedition into a wild, unruly world.’ LEE SCHOFIELD ‘Gently thought-provoking and beautifully written.’ LEIF BERSWEDEN‘The remarkable story of Britain’s wild boar.’ THE GUARDIAN‘A real page-turner.’ STEPHEN MOSSAfter centuries of

Chantal Lyons
video

Words to Light the Dark – hosted by Chantal Lyons

What can the planet’s past tell us about the future? How do we relate to nature when our bodies try to keep us from it? And how do you write about creatures that don’t wish to be found?   Join Wainwright Prize-nominated authors Sophie Yeo, Polly Atkin, and Chantal Lyons – host of this Salon and walk · listen · create’s Writer-in-Residence – as they explore the

Chantal Lyons Sophie Yeo +1

Share in the company of owls in this nocturnal love song… From the author of Some of Us Just Fall, longlisted for the Wainwright Prize for Nature Writing.

‘I couldn’t put down this warm and comforting, beautiful book.’ Ajay Tegala, author of Wetland Diaries

___

In the woods above Polly Atkin’s home in Grasmere, Cumbria live the tawny owls she calls her neighbours. Each night, they come down to her cottage at dusk, calling out as night falls – in particular a trio of owlets she watches grow from fledglings to young adults.

As the antics of the owl siblings develop – their capacity to play, to bicker, to share and to protect – they encourage her to think differently about some of the big needs of all our lives: solitude and companionship, care and belonging, rest and retreat. And into the frame step questions about all sorts of relationships, from how we feel when in darkness to the homes and connection we so desperately seek.

The Company Of Owls is a love song to these incredible creatures, and a reflection on what makes them, and us, unique. It’s a call to find joy in unexpected places and times. It is a lesson in learning to listen – to really listen – when all around us seems clamour and noise.


driftsinging

Drawing with (vocal) sound in response to place while passing through place. Driftsinging borrows from the Situationist Drift, and Baudelaire’s flâneur. Driftsinging also relates to the process of ‘sounding,’ the sonic measuring of distance and depth that locates position in place and ‘echo location’, the examination of place through sonic reflection and refraction, resonance and echo.

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