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The Farthest Shore

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Sub-collection

long distance walking

Sub-collection · 31 items

Nature

1 sub-collections · 164 items
Sub-collection

Silence

Sub-collection · 21 items

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Sound walk

I just needed something a little bit… more

A multi narrative, immersive piece on the inner process attached to long distance walking. The changes which can happen when we take time out from our regular lives and the necessity to do so are all reflected in this piece.

Charlotte Petts
Walking piece

Dimensionz

With information travelling so fast, cultures are being easily influenced and Africa is in a dilemma as to how to integrate some of these changes into her deep rooted cultural heritage.

Timothy Aguya Akasiya
Curated news

The Irish Times view on being in nature: how to walk responsibly – The Irish Times

A rapid increase in urban dwellers walking in the countryside is putting the very landscapes we enjoy Source: The Irish Times view on being in nature: how to walk responsibly – The Irish Times

post

To capture, reproduce, and deconstruct

Touching the liminal space between geographical marvel and the subtle signs of a tragic history, hidden within the landscape.

Tony Onuchukwu

The Farthest Shore is the story of Alex’s solo trek along the remote Cape Wrath Trail. As he journeyed through a vanishing winter, Alex found answers to his questions, learnt the nature of true silence, and discovered frightening evidence of the threats faced by Scotland’s wild mountain landscape.


pedestrian acts

By de Certeau: In “Walking in the City”, de Certeau conceives pedestrianism as a practice that is performed in the public space, whose architecture and behavioural habits substantially determine the way we walk. For de Certeau, the spatial order “organises an ensemble of possibilities (e.g. by a place in which one can move) and interdictions (e.g. by a wall that prevents one from going further)” and the walker “actualises some of these possibilities” by performing within its rules and limitations. “In that way,” says de Certeau, “he makes them exist as well as emerge.” Thus, pedestrians, as they walk conforming to the possibilities that are brought about by the spatial order of the city, constantly repeat and re-produce that spatial order, in a way ensuring its continuity. But, a pedestrian could also invent other possibilities. According to de Certeau, “the crossing, drifting away, or improvisation of walking privilege, transform or abandon spatial elements.” Hence, the pedestrians could, to a certain extent, elude the discipline of the spatial order of the city. Instead of repeating and re-producing the possibilities that are allowed, they can deviate, digress, drift away, depart, contravene, disrupt, subvert, or resist them. These acts, as he calls them, are pedestrian acts.

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