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Unfathomable City: A New Orleans Atlas

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Scrambling for maps

March 2026 we are holding 3 online Map Scrambles, in which artists will be discussing when and why they use maps or mapping to document their walking art. Map Scramble 1 (Monday 23 7pm GMT)   Map Scramble 2 (Wednesday 25 7pm GMT) Map Scramble 3 (Thursday 26 7pm GMT) Each events part of the

Andrew Stuck David Haley +14
video

WALC Map Scramble 3 – documenting walking art with maps and mapping

Walking artist presenters in this video: Tamsin Grainger, Hannah Stageman, Fiona Hooton, Bill Psarras and Petra Johnson The third of an initial series of three Map Scrambles in which walking artists share how each of them documents walking art, specifically be adapting, modifying or creating their own maps. Early last year, Clara Gari of Nau

Tamsin Grainger Hannah Stageman +4
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WALC Map Scramble 1 – documenting walking art with maps and mapping

Map Scramble 1 – presenters David Haley (UK), Lucy Furlong (UK), Janette Kerr (UK) and Emily Artinian (US) For a Summary of this meeting please see the post “Scrambling for maps“. There is growing interest in how each of us documents walking art, especially as walk · listen · create and its predecessor, the Museum

David Haley Lucy Furlong +3
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WALC Online Course Session 9 – Art of Mapping and Counter-Mapping

Focusing on maps as artistic and cultural tools, the session analyses how mapping and counter-mapping shape perception, experience and power.

Geert Vermeire

Like the bestselling Infinite City: A San Francisco Atlas, this book is a brilliant reinvention of the traditional atlas, one that provides a vivid, complex look at the multi-faceted nature of New Orleans, a city replete with contradictions. More than twenty essays assemble a chorus of vibrant voices, including geographers, scholars of sugar and bananas, the city’s remarkable musicians, prison activists, environmentalists, Arab and Native voices, and local experts, as well as the coauthors’ compelling contributions. Featuring 22 full-color two-page-spread maps, Unfathomable City plumbs the depths of this major tourist destination, pivotal scene of American history and culture and, most recently, site of monumental disasters such as Hurricane Katrina and the BP oil spill. 

The innovative maps’ precision and specificity shift our notions of the Mississippi, the Caribbean, Mardi Gras, jazz, soils and trees, generational roots, and many other subjects, and expand our ideas of how any city is imagined and experienced. Together with the inspired texts, they show New Orleans as both an imperiled city―by erosion, crime, corruption, and sea level rise―and an ageless city that lives in music as a form of cultural resistance. Compact, lively, and completely original, Unfathomable City takes readers on a tour that will forever change the way they think about place.


pedestrian acts

By de Certeau: In “Walking in the City”, de Certeau conceives pedestrianism as a practice that is performed in the public space, whose architecture and behavioural habits substantially determine the way we walk. For de Certeau, the spatial order “organises an ensemble of possibilities (e.g. by a place in which one can move) and interdictions (e.g. by a wall that prevents one from going further)” and the walker “actualises some of these possibilities” by performing within its rules and limitations. “In that way,” says de Certeau, “he makes them exist as well as emerge.” Thus, pedestrians, as they walk conforming to the possibilities that are brought about by the spatial order of the city, constantly repeat and re-produce that spatial order, in a way ensuring its continuity. But, a pedestrian could also invent other possibilities. According to de Certeau, “the crossing, drifting away, or improvisation of walking privilege, transform or abandon spatial elements.” Hence, the pedestrians could, to a certain extent, elude the discipline of the spatial order of the city. Instead of repeating and re-producing the possibilities that are allowed, they can deviate, digress, drift away, depart, contravene, disrupt, subvert, or resist them. These acts, as he calls them, are pedestrian acts.

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