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Walk Write (Repeat)

Walk Write (Repeat)
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creative writing

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experiment

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Write About Walking In The Dark Showcase

Write About Walking In The Dark Showcase event introduces new writing from 11 shortlisted authors of the walk · listen · create annual writing competition and includes readings of their poetry and prose.  Erin Bondo, Krista Carson, Paul Connolly, Elizabeth Fevyer, Eleanor Holmes, Sarah Leavesley/James, Rosaleen Lynch, Isabella Mead Husain, Laura Theis, Penny Walker, and Emily Wilkinson. We are delighted that author and poet Electra

Andrew Stuck Eléonore Ozanne +12
walkingevent

39 Steps Writers’ Showcase

39 Steps Writers’ Showcase event introduces new writing from 19 authors in our micro-flash fiction writing competition and includes readings of their prose. Run in conjunction with Sampson Low Publishers, with a special prize given by Caroline Gannon, the walk · listen · create writing competition attracted scores of entries. Challenged to write a story

Arthur Sparrow Bridget Daly +17
walkingevent

Walking Writers’ Circle – Walking Together

An “Invitation Only” event for shortlisted authors in the Walking Together writing ocmpetition with VIP guests. VIP guests confirmed include Amelia Hodsdon, our current writer-in-residence, and Ann de Forest, author, poet and editor of “Ways of Walking”.

Andrew Stuck
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The Works of Alexandra and Jyanne

This website will lead you to the collected works of Alexandra Samarova and Jyanne Palaruan. The website is a Notion site and is being updated constantly.

Walking helps you think (as anyone knows who has tried to resolve a problem sitting down). So this handbook uses walking as a tool for creative thinking and writing.

Offering a whole array of sparks, experiments, projects, catapults, prompts, drifts and exercises, Sonia Overall invites us to see walking as a creative writing method. She sets out a particular form which she calls walking-writing and suggests ways to gather materials, submit to the sensory, explore your home like a tourist, and scour the streets like a metal-detector in search of the hidden, the forgotten and the overlooked.

This is a manual for creative writers, but the approaches and exercises can readily be adapted by practitioners working in other media. All of the exercises included here have been foot-tested. Use the book to walk and work alone or in groups, together or separately. Use it to generate ideas, create text and read differently.

Walking outside, in varied environments, will offer you novel experiences to draw upon. Many of the exercises here can be carried out in your immediate environment, or if mobility or opportunity are an issue, in your own home. Rescale and adapt at will.


pedestrian acts

By de Certeau: In “Walking in the City”, de Certeau conceives pedestrianism as a practice that is performed in the public space, whose architecture and behavioural habits substantially determine the way we walk. For de Certeau, the spatial order “organises an ensemble of possibilities (e.g. by a place in which one can move) and interdictions (e.g. by a wall that prevents one from going further)” and the walker “actualises some of these possibilities” by performing within its rules and limitations. “In that way,” says de Certeau, “he makes them exist as well as emerge.” Thus, pedestrians, as they walk conforming to the possibilities that are brought about by the spatial order of the city, constantly repeat and re-produce that spatial order, in a way ensuring its continuity. But, a pedestrian could also invent other possibilities. According to de Certeau, “the crossing, drifting away, or improvisation of walking privilege, transform or abandon spatial elements.” Hence, the pedestrians could, to a certain extent, elude the discipline of the spatial order of the city. Instead of repeating and re-producing the possibilities that are allowed, they can deviate, digress, drift away, depart, contravene, disrupt, subvert, or resist them. These acts, as he calls them, are pedestrian acts.

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