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WALC Confluence 6 hosted by Nau Côclea documenting walking art, featuring Ernesto Pujol.
How do you document Walking art? Asks your host, Clara Gari from Nau Côclea. For some artists documenting their work is a process of making a further an artwork in itself, for others the walk is the document. In 1998, the CDAN (The Centre of Art & Nature) in Huesca, Spain, commissioned a piece for
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+2 Walking together alone (remote)
Since 2017 Fabian Gutscher is walking simultaneously with someone else using the app Synchronisator. Sometimes one to one, sometimes performative and sometimes with Hong Kong. The App lets you hear the stepping rhythm of an other person walking anywhere in the world. For Prespa he will walk every day with one question and with at least one other walker. Everyday. There will be schedule communicated on the website institutmovement.eu
Wander Weed
Wander Weed, as a performative walk, is a combination of a talk, a lecture, a space specific practice, an environmental listening tool and an introspective exercise. It is based on the last letters of Charles Darwin [1809-1882] that he wrote in relation to the world of plants.His book and study: ‘The Power of Movements in
Wander Weed
Wander Weed, as a performative walk, is a combination of a talk, a lecture, a space specific practice, an environmental listening tool and an introspective exercise. It is based on the last letters of Charles Darwin [1909-1882] that he wrote in relation to the world of plants.His book and study: ‘The Power of Movements in
Walking Art Practice, Reflections on Socially Engaged Paths was published by Triarchy Press, London in 2018. Serving as an intimate walker’s manifesto, this little book consists of a generous collection of short, personal, field reflections by artist Ernesto Pujol on walking as a socially engaged art form, bringing together his experiences as a former monk, performer, social choreographer, and educator.
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