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Walking Detroit

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durational practice

Sub-collection · 15 items

Photography

5 sub-collections · 156 items
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Walking Art

Sub-collection · 99 items

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Walking piece

Feliz Aniversário (Happy Birthday)

Feliz Aniversário is a performance in which the artist visited every Rio street named after a calendar date on its corresponding day, mapping the journeys and photographing each visit to create a yearlong record of time and urban space.

Cadu
walkingevent

Rediscovering Britain with Quintin Lake

Join Quintin Lake for an illustrated discussion of his solo pilgrimage around the coast of Britain. We are delighted to welcome Quintin Lake here to Hatchards this evening for an illustrated talk on his experience of walking and photographing Britain for his book The Perimeter. On Friday 17 April 2015, photographer Quintin Lake set off

Quintin Lake
video

WALC Confluence 10 Walking with a Cello and other stories

Do you want to know how our 2025 adventure went? How we set off from Badalona and crossed beaches, mountains, and rivers on our way to the Pyrenees — and climbed the Taga with a cello? Do you want to hear about our shared library, lovingly cared for by an artist? Marc Caellas, Christina Schulz

Clara Gari Geert Vermeire +1
book

Walk Notations

Walk Notations brings together traces emerging from Dissident Paths: Walking Together as a Method, a series of artistic walks across Berlin in 2025. Moving between artistic practices, curatorial conversations, and reflections, the book approaches walking as a method for being together in public space. Some contributions revisit specific sites or gestures while others move further afield, driven

Eirini Fountedaki

This book brings together documentation of walking art projects by artist JeeYeun Lee made in and about Detroit from 2017 to 2018. It includes writing and images from a series of durational walking performances, a video reflection, an audio walk, and a series of altered photographic works.


pedestrian acts

By de Certeau: In “Walking in the City”, de Certeau conceives pedestrianism as a practice that is performed in the public space, whose architecture and behavioural habits substantially determine the way we walk. For de Certeau, the spatial order “organises an ensemble of possibilities (e.g. by a place in which one can move) and interdictions (e.g. by a wall that prevents one from going further)” and the walker “actualises some of these possibilities” by performing within its rules and limitations. “In that way,” says de Certeau, “he makes them exist as well as emerge.” Thus, pedestrians, as they walk conforming to the possibilities that are brought about by the spatial order of the city, constantly repeat and re-produce that spatial order, in a way ensuring its continuity. But, a pedestrian could also invent other possibilities. According to de Certeau, “the crossing, drifting away, or improvisation of walking privilege, transform or abandon spatial elements.” Hence, the pedestrians could, to a certain extent, elude the discipline of the spatial order of the city. Instead of repeating and re-producing the possibilities that are allowed, they can deviate, digress, drift away, depart, contravene, disrupt, subvert, or resist them. These acts, as he calls them, are pedestrian acts.

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