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Windswept

9781963108132

history

10 sub-collections · 252 items

outdoors

Collection · 14 items
Sub-collection

Walking Women

Sub-collection · 11 items

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Walking without a donkey

Walking Without a Donkey is a specialized website dedicated to walking trails and hiking routes in Israel. It provides detailed, map-based guides for a variety of paths, from short strolls to multi-day treks, emphasizing accessibility and accuracy. The site includes GPS tracks, elevation profiles, clear route descriptions, and background information on natural and cultural landmarks encountered along the way, supporting both casual walkers and experienced hikers in planning their excursions. The site also offers insights into the geography, history, and ecology of the regions covered, connecting the physical pathways to their broader cultural and environmental contexts. It serves as a resource for those interested in exploring Israel’s diverse landscapes on foot, such as desert trails, forested areas, and coastal paths. The content is regularly updated and verified, reflecting a focus on reliable, practical information for outdoor walking enthusiasts.

walkingevent

Death in New York Walking Tour

Trace more than four centuries of life and death in NYC on a tour of Battery Park, the Financial District, Tribeca, the Civic Center, and Chinatown (led by Death in New York author K. Krombie).

Babak Fakhamzadeh
post

Lacemaking to survive the Great Famine

Ed Coulson narrates the forgotten history of a craft industry – bobbin lace making – that was central to survival in Headford, Ireland, during the devastating famine. The Headford Lace Project, initiated in 2016, researched, revived, and reimagined this lost history, creating a tale of resilience and perseverance that shaped the town. Coulson's audio walk, highlighting the lives of lacemakers and using innovative storytelling techniques, offers a glimpse into this fascinating piece of history.

Ed Coulson
Sound walk

A History of Walking

Lydia Kennaway reads selected poems from her book, ‘A History of Walking’.

Lydia Kennaway

Annabel Abbs-Streets’s Windswept: Walking the Paths of Trailblazing Womenis a beautifully written meditation on connecting with the outdoors through the simple act of walking. In captivating and elegant prose, Annabel follows in the footsteps of women who boldly reclaimed wild landscapes for themselves, including Georgia O’Keeffe in the empty plains of Texas and New Mexico, Nan Shepherd in the mountains of Scotland, Gwen John following the French River Garonne, Daphne du Maurier along the River Rhône, and Simone de Beauvoir―who walked as much as twenty-five miles a day in a dress and espadrilles―through the mountains and forests of France.

Part historical inquiry and part memoir, the stories of these writers and artists are laced together by moments in her own life, beginning with her poet father who raised her in the Welsh countryside as an “experiment,” according to the principles of Rousseau. Annabel explores a forgotten legacy of moving on foot and discovers how it has helped women throughout history to find their voices, to reimagine their lives, and to break free from convention.

As Annabel traces the paths of exceptional women, she realizes that she, too, is walking away from her past and into a radically different future. Windsweptcrosses continents and centuries in a provocative and poignant account of the power of walking in nature.


pedestrian acts

By de Certeau: In “Walking in the City”, de Certeau conceives pedestrianism as a practice that is performed in the public space, whose architecture and behavioural habits substantially determine the way we walk. For de Certeau, the spatial order “organises an ensemble of possibilities (e.g. by a place in which one can move) and interdictions (e.g. by a wall that prevents one from going further)” and the walker “actualises some of these possibilities” by performing within its rules and limitations. “In that way,” says de Certeau, “he makes them exist as well as emerge.” Thus, pedestrians, as they walk conforming to the possibilities that are brought about by the spatial order of the city, constantly repeat and re-produce that spatial order, in a way ensuring its continuity. But, a pedestrian could also invent other possibilities. According to de Certeau, “the crossing, drifting away, or improvisation of walking privilege, transform or abandon spatial elements.” Hence, the pedestrians could, to a certain extent, elude the discipline of the spatial order of the city. Instead of repeating and re-producing the possibilities that are allowed, they can deviate, digress, drift away, depart, contravene, disrupt, subvert, or resist them. These acts, as he calls them, are pedestrian acts.

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