Pride Square II is a series of 12 small drawings that attempt to capture the energy and personality of a person walking through a busy public square in Sydney's Inner West suburb of Newtown.

Rachael Clewlow’s Explorer (2011) visualizes her daily movements through the city using colour-coded tracks. Based on her “‘statistical diaries’,” it transforms walking patterns into abstract forms and colours, mapping mobility as art.

William Anastasi’s Pocket Drawings are made by marking folded sheets in his pocket while walking, creating abstract traces of movement. Part of his “unsighted” practice, they explore chance, motion, and perception, translating physical experience into subtle visual forms.

Stephen Long’s 1,600-foot sculpture blends with the landscape, its red, yellow, and blue stripes shifting with natural light. Optical mixing and changing hues make movement and aerial perspectives essential to experiencing the work fully.

Kazuo Shiraga transformed painting into performance, using his feet to kick, drag, and smear thick oil paint across floor-laid canvases. His bold, dynamic gestures capture bodily energy, dissolving the line between artist, movement, and material.

Double Star: Antares (1986–88) by Athena Tacha was a site-specific public sculpture in Cincinnati’s Hyde Park. Featuring 27 brick walls forming two star-like structures, it explored astronomy, spatial form, and landscape, but was later dismantled.

Walter De Maria’s 1969 Las Vegas Piece – mile-long bulldozer lines forming a square in the desert – was hard to find even then and is now barely visible. The work’s elusiveness was central to the experience, emphasizing remoteness and chance.

Duration’s Wisdom II is a meditative walking performance on a 20-ft canvas, depicting the final stage of mourning. Using circular, continuous movements, Erika Knerr processed grief, revisiting loss and reflection, performed in Zaragoza, Spain after the Madrid attacks.

Pathscape is a project by Reg Carremans that explores movement, landscape, and painting. During the Sideways 2012 Walking and Art Festival, Carremans adapted his boots with canvases, capturing impressions of the terrain with each step to create "landscape paintings" in real-time.

Untitled (2000) features large wall-mounted styrofoam panels transformed into paintings through acetone-etched footprints.

The Path of Love by Omar Mismar is a 30-day project where the artist uses Grindr to navigate the city, choosing a man each day and tracking his routes to trace paths of desire and movement through urban space.