Three houses in Berlin stand as silent witnesses to the shifting tides of history. This audiowalk asks: what (and who) remains after empires fall?

Drawing on an old local folk-tale that contains remnants of ritual, Libations was a 30-day project involving listening to the land and multi-species others, walking, and pouring a libation of water as an offering each day.

A Radio Walk at the Imperial War Museum, London.

Come Sunday is a soundwalk created by jazz artist Darrell Grant that explores Portland’s inner-northeast neighborhoods, once home to over 200 Black churches. The route connects thirteen historic Black houses of worship, including Bethel A.M.E. Church, blending oral history, spirituals, poetry, and music to reflect the community's cultural and historical significance.

This soundwalk uses oral histories and 360-degree binaural audio to explore the Centre for Chinese Contemporary Art’s archive, highlighting migrant experiences and cultural memories in Manchester’s Chinatown. By triggering geolocated sounds and interview clips via GPS, listeners can immerse themselves in the area’s hidden histories through their smartphones and headphones.

Commissioned by North West Sound Heritage, sound artist Hayley Suviste created a geo-locative sound walk on Sonic Maps, using interviews from The Manchester Studies unit's extensive oral history project from the 1970s.

The Douglastown Detour is a GPS-based mobile app that delivers oral histories, music, sounds, and images tied to specific sites in Douglastown, a historic Irish village in francophone Gaspésie, Quebec. It explores the memories and significance of the village’s past through location-triggered storytelling.

Radio Walks podcast.

Memento – Wanstead Park, uses oral history recordings made by Olivia Bellas, to piece together an identity for a public space fused with personal recollection and a nod to the future. Local voices gently guide you around the park and into their own memories. The concept is different to previous memento sound walks with no