Most Serene Republics (2007) is Edgar Heap of Birds’s Venice Biennale public art project memorializing Sioux warriors and children who died in Europe, using text-based signage to confront colonial histories and Indigenous displacement.

Dylaby was an exhibition that transformed the Stedelijk Museum into a playful labyrinth, prioritizing participation, bodily engagement, and co-creation over traditional art objects, foreshadowing experiential art of the 1960s.

Chain Link Maze (Amherst) by Richard Fleischner is an 8-ft chain-link labyrinth that blends physical, visual, and spatial experiences. Visitors navigate open corridors, see through layers of mesh, and engage with light, landscape, and choice in a contemplative, immersive maze.

The 120 Doors Pavilion in Concepción, Chile, consists of steel tubes supporting wooden doors arranged in five perimeters. It explores spatial limits and transitions, using doors to challenge definitions of space, temporality, and boundaries in architecture and art.

In The Shadow, Sophie Calle asks her mother to hire a detective to follow her. The work contrasts his photographs with her own account, reversing observer and observed, and questioning identity through absence and surveillance.

Flux-Labyrinth is a one-way, immersive maze by George Maciunas that forces visitors through narrow corridors, awkward doors, and physical obstacles, translating the hardships, ingenuity, and social tensions of 1970s SoHo into bodily experience.

Duration’s Wisdom II is a meditative walking performance on a 20-ft canvas, depicting the final stage of mourning. Using circular, continuous movements, Erika Knerr processed grief, revisiting loss and reflection, performed in Zaragoza, Spain after the Madrid attacks.

Live-Taped Video Corridor uses stacked monitors showing live and pre-recorded footage from a corridor camera. Walking down, viewers see themselves shrink on the top screen while unnervingly absent on the bottom, creating a disorienting sense of doubling.

Walking in the Colour Field: Local and Remote is an interactive artwork linking gallery and everyday life, where sensors worn by remote participants and local viewers shape shifting colour displays, reflecting the merging of public and private spaces.

It Takes a Year to Walk Around the Sun is a looped moving-image installation using a floor-projected, rhythmic, disorienting video to evoke physical and psychological immersion. It developed from a year-long performative Instagram project.