Seconds of Sound is a collection of acoustic habitats gathered by Martin Scaiff on a series of 26 soundwalks between all 45 public libraries in Suffolk, UK, between April and October, 2024.

Poor Old Horse is a short walking film responding creatively to the site-specific custom of Hoodening in East Kent, UK.

A Different LENS is an interactive locative media map created by Elspeth Penfold and the artist group Thread and Word, enabling users to explore literary and geographic sites in Margate via computer or smartphone. Developed with community collaborators and funded by Arts Council England and others, the project combines psychogeography, storytelling, and local culture using the CGeomap tool.

Soundmarks is a collaborative project by Rob St John and Rose Ferraby that uses sound and visual art to explore the sub-surface landscape of Aldborough Roman Town in North Yorkshire through an eight-site art trail. The project includes free online soundtracks, a digital and analogue map, an LP release, visual exhibitions, a seminar, and workshops, supported by Arts Council England and heritage partners.

“Lichtenstein has brought alive something of London… how one street can be a kind of Tardis, a portal to another world of parallel commerce, codes, rituals, history.” The Times The jewellery quarter of Hatton Garden is one of London’s most mysterious areas – home to diamond workshops, underground vaults, monastic dynasties, subterranean rivers and forgotten

This post introduces the development of ‘Toolkit for the Eremocene,’ a scored walk exploring the relationship between nature, mental health, and sound through a theatrical sensory experience. Created in collaboration with movement artist Tess Latham and theatre designer Anisha Fields, the walk invites participants to engage playfully and mindfully with urban or suburban environments at sunset, with future versions incorporating audio and interactive storytelling.

The listener joins our hosts Livvi & Gus as they explore the old ruin of Moore Hall, near Lough Cara Co. Mayo. Although one is not required to listen in situ, it would certainly enhance the experience - safely exploring as one listens to the piece.