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A curated starting point from this collection.
Sound walk SWS26
2026

Stand at the shoreline and listen

'Stand at the shoreline and listen' is a soundwalk inviting you to do just that: to look at the sea and explore its myriad meanings. This meditative trio for listener, headphones and sea is inspired by Virgina Woolf’s 'The Waves'.

Sound walk SWS22 Shortlisted
2021

Your Time is Now

Huddersfield is trapped in a time loop. Unknowingly repeating the same day over and over. But time is slowing down, and the town is at risk of being lost forever. Today’s assignment is to reactivate time.

Happened
walkingevent SWS21  

(dis)solutions II (exhibition opening)

Zavod Cona
2021-09-18 10:00
Steklenik, Gallery for sound, bioacustics and art, Cesta 27. aprila, Ljubljana, Slovenia

The 8-channel sound composition (dis)solutions II reflects on proximity between bodies through water.

Sound Walk City · prelude
Happened
walkingevent SWS21  

(dis)solutions II (sound walk)

Zavod Cona
2021-10-05 17:00
Steklenik, Gallery for sound, bioacustics and art, Cesta 27. aprila, Ljubljana, Slovenia

The 8-channel sound composition (dis)solutions II reflects on proximity between bodies through water.

Sound Walk City · prelude

Going Out – Walking, Listening, Soundmaking

Elena Biserna
post SWS19 08 Jan, 2020

Wander Weed: walking, listening and introspection

Stefaan van Biesen's piece Wander Weed received an honourable mention for Sound Walk September 2019. Here's Stefaan, describing his piece in his own words.

Sound walk
2016

Watch In?

Watch in? is an audio application developed by aifoon for the Permeke museum, featuring the AudioCollier, a pendant speaker worn by visitors to experience sound compositions linked to Permeke’s artworks. This device allows visitors to engage actively as listeners and performers, creating a dynamic, shared sound environment as multiple users become a walking surround system.

Sound walk SWS19
2019

Machines wake up at 10 a.m. in Ile d’Orléans

This excerpt features an 8-minute audio recording from the first day of a two-day walk around Île d'Orléans, Quebec, conducted on July 26, 2019. Beginning at 7:30 AM near the island’s entrance, the walk captures the awakening of mechanical sounds within the island’s primarily agricultural and tourism-based landscape on the St. Lawrence River.

Sound walk SWS24
2024

A kind of morphology

A composition created from recordings made on different walks in different locations over a period of the summer 2024

Sound walk
2019

Transeuntis Mundi – Web Derive 01

The Transeuntis Mundi Project uses immersive 360° walkscape recordings to create a transmedial archive of cultural heritage from diverse global sites, currently representing four countries across four continents. Led by Brazilian artist Candida Borges and Colombian researcher Gabriel Mario Vélez, the project integrates technology, nomadic practices, and artistic research to produce virtual reality works, audiovisual compositions, and performances reflecting millennial human passage.

Walking as a Question
Sound walk
2019

Soundwalk in Aulus-les-Bains

This post features a morning walk through Aulus-les-Bains, the last French village before the Spanish border in the Pyrenees, during red deer mating season in September. The recordings and composition were created by Carina Pesch, with voices by Greg Byatt, Carina Pesch, and passengers, all captured during the CAMP-seminar "Recording Red Deer" by Chris Watson.

Sound walk
2016

Soundwalk 9:09

Soundwalk 9:09 takes its title from the time it takes to walk between The Met Fifth Avenue and The Met Breuer: nine minutes and nine seconds.

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Walking pieces

Sound walk
2020

Breath-stream

"Breath-stream" (2020) is a musical composition connecting human breath with local wind currents, where performers first identify wind direction via Earth Wind Map before aligning their breath rhythm to the wind. Recordings were collected from 13 different locations between early 2020, creating a platform that links individual internal experience with environmental awareness.

Articles elsewhere

post 75

Marcher, danser, écouter, faire sonner, Lire/écrire et composer des paysages sonores in situ

J’imagine, dans un festival, ou ailleurs, la co-écriture/lecture d’un paysage sonore déambulant, avec un ou plusieurs musiciens, lecteurs, performeurs, danseurs.. … Plus

Gilles Malatray
POINTS D'OUÏE, PAYSAGES SONORES PARTAGÉS
post 40

MONDAYS in August

DANCE COMPOSITION/ CHOREOGRAPHY WORKSHOP FOCUS: WORDS AND MOVEMENT RELATIONSHIP Mondays, August 1, 8 & 15, 202211am-1pm, NYC Time Faculty: Anabella Lenzu As choreographers and creators, how do we deal with the relationship and overlapping layers so that dance, music, and the poetry of the lyrics intertwine to create dances both for the stage as well as for […]

Anabella Lenzu
Anabella Lenzu's Blog
post 85

A Walk with Horns: “playing” the St John’s Harbour Symphony

The St John’s Harbour Symphony (http://www.soundsymposium.com/about/harbour-symphony/) (played on 1st July this year (2019)) is a striking sonic event. A composition for ship’s horns it takes place in, and resonates around, the natural amphitheatre of St John’s Harbour, Newfoundland. In a … Continue reading →

Martin Eccles
martin.p.eccles: walk time place sound

Events

Happened
walkingevent SWS21  

Sound Walks by aifoon

aifoon / De Week van de Klank
2021-09-05 13:00
Brussels, België

A Sound Walk is a blindfolded listening walk in which you explore the surroundings with your ears. Experience the sound composition of the city with amplified senses! Be amazed at how you pick up specific sounds to which we usually pay little attention because they get lost in the general soundscape.

Links

Mathis Nitschke Mathis Nitschke

Mathis Nitschke is a composer, sound designer, and music theatre maker. His work operates at the intersection of music, technology, and space. After studying classical guitar, fine arts, and composition (including at the Royal Conservatory in The Hague), he developed his own projects and commissioned works that often explore new formats. These include the operas JETZT (2012) and HAPPY HAPPY (2014) for the National Opera of Montpellier, the urban short opera Viola (2015), and MAYA (2017), the world’s first mixed-reality music theatre production.
Personal websites

pedestrian acts

By de Certeau: In “Walking in the City”, de Certeau conceives pedestrianism as a practice that is performed in the public space, whose architecture and behavioural habits substantially determine the way we walk. For de Certeau, the spatial order “organises an ensemble of possibilities (e.g. by a place in which one can move) and interdictions (e.g. by a wall that prevents one from going further)” and the walker “actualises some of these possibilities” by performing within its rules and limitations. “In that way,” says de Certeau, “he makes them exist as well as emerge.” Thus, pedestrians, as they walk conforming to the possibilities that are brought about by the spatial order of the city, constantly repeat and re-produce that spatial order, in a way ensuring its continuity. But, a pedestrian could also invent other possibilities. According to de Certeau, “the crossing, drifting away, or improvisation of walking privilege, transform or abandon spatial elements.” Hence, the pedestrians could, to a certain extent, elude the discipline of the spatial order of the city. Instead of repeating and re-producing the possibilities that are allowed, they can deviate, digress, drift away, depart, contravene, disrupt, subvert, or resist them. These acts, as he calls them, are pedestrian acts.

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