Season for Falling and Invitation to Fall (2013) by Amy Sharrocks explores falling, risk, shame, and vulnerability. Sharrocks invites participants to fall physically, reflecting on control, exposure, and the human experience of loss of balance.

William Anastasi’s Pocket Drawings are made by marking folded sheets in his pocket while walking, creating abstract traces of movement. Part of his “unsighted” practice, they explore chance, motion, and perception, translating physical experience into subtle visual forms.

World-Wide-Walks by Peter d’Agostino is a decades-long project exploring walking through physical, virtual, and networked spaces. Combining video, installations, and VR, it examines movement, perception, environment, technology, and human interaction.

The 120 Doors Pavilion in Concepción, Chile, consists of steel tubes supporting wooden doors arranged in five perimeters. It explores spatial limits and transitions, using doors to challenge definitions of space, temporality, and boundaries in architecture and art.

Untitled (2000) features large wall-mounted styrofoam panels transformed into paintings through acetone-etched footprints.

A walking performance transforming a found bamboo stick into a ritualistic totem wrapped in collected hairbands, mapping intimate traces of human existence into a sensory archive shaped by chance and poetic gestures.

"Map Piece" is an iconic conceptual artwork created by Yoko Ono in 1962. This piece is part of her "Instruction Paintings" series, where the instructions themselves become the art, inviting participation and contemplation from the audience.