*Procession* was performed in early 1974 when Teresa Murak wore a coat of cress seeds and walked through the streets of Warsaw, merging feminine labor, nature, and politics. The act, documented in photos and oral history, became a landmark feminist performance.

Kimsooja's A Needle Woman (1999) contrasts her stillness against the fast-moving crowds in public spaces, symbolizing the migrant woman's silent endurance. The performance explores themes of displacement, labor, and the emotional toll of migration.

Armor (2015) by Kubra Khademi is a provocative performance in which the artist wore a metal breastplate mimicking exaggerated female anatomy, challenging societal norms and gender roles in Kabul. The piece led to exile after violent backlash, marking a pivotal moment in her career.

Walk a Mile in Her Veil explores Arab identity and feminism, inviting visitors to wear the veil and experience its complexity. The work challenges stereotypes, promotes empathy, and sparks dialogue about women's agency and the multifaceted meanings of the veil.

In Elémént, Michèle Magema weaves imagery of chained feet and laboring hands to explore feminism and the legacy of slavery, retelling history while reflecting on memory, identity, and her cultural and female experience.