Anne Cecilie Lie's website presents her work at the intersection of walking, art, and cultural geography. The site details her explorations of landscapes and urban environments through embodied walking practices, emphasizing the sensory and experiential dimensions of place. It features her engaging with issues such as memory, identity, and environmental perception, often blending artistic expression with academic inquiry. The site includes documentation of her projects, which combine maps, text, photography, and sound to articulate nuanced spatial narratives. It also highlights her collaborations and exhibitions, illustrating how her practice situates walking as a form of knowledge production within both art and cultural geography disciplines.

Walking Landscapes is a project dedicated to exploring the interconnectedness of walking, art, and cultural geography. It curates and presents a diverse range of walking-based artistic practices and research, emphasizing how walking as an embodied experience shapes and reflects cultural, social, and environmental landscapes. The platform features detailed case studies, artist projects, and scholarly essays that investigate walking as a method of inquiry and creative expression, highlighting its role in mapping places, histories, and personal narratives. The website also serves as a resource hub for those interested in the interdisciplinary field of walking art, showcasing walking routes, sound walks, performance walks, and other experimental approaches that utilize the act of walking to engage with different urban and rural environments. By documenting these practices, Walking Landscapes contributes to a deeper understanding of place-making and spatial relations, as well as the ways walking practices intersect with memory, identity, and ecology.

The Tumblr site of Siobhan Potter presents a diverse collection of photographic works and visual art exploring themes of movement, identity, and cultural narrative. The images often capture dynamic urban environments and intimate portraits, reflecting the artist’s interest in how individuals interact with and are shaped by their surroundings. The visual style emphasizes texture, light, and human presence, creating a dialogue between the subject and place. Throughout the archive, Potter’s work reveals an engagement with cultural geography, using walking and observation as modes of artistic inquiry. The collection includes series that document spontaneous encounters and constructed scenes, suggesting a layered understanding of place as both physical and experiential. Overall, the site functions as a visual journal that traces the intersections of personal and collective space through photography.