Ghost Walker: An Impossible Walk Through Mexico City's History explores a vanished street using historic maps and Google overlays. Inspired by dérive and Collective Actions techniques, the project traces 150 years of urban change, absence, and memory through a participatory artistic walk.

Walking Tools is an open-source locative media project led by Brett Stalbaum at UCSD (2007–), developing shared GPS media standards and tools like HiperGps/HiperGeo to create, deploy, and share location-based narratives for education, art, and activism.

A lone figure follows the Greenwich Meridian across England, moving straight north regardless of obstacles, from sea to sea. The video treats the zero line of longitude as a literal path, exposing its artificial, historical origins.

Drift is a site-specific GPS-based sound installation exploring wandering, disorientation, and the limits of GPS. Visitors traverse a shifting 2 km² space of sand, sea, and interactive sounds, where footsteps, spoken word, and tides create a playful, unpredictable experience of place.

The Path of Love by Omar Mismar is a 30-day project where the artist uses Grindr to navigate the city, choosing a man each day and tracking his routes to trace paths of desire and movement through urban space.

Thompson’s work transforms walked landscapes into layered sculptures and prints. Using routes traced by GPS or maps, he crafts hand-cut forms that reflect topography, memory, and place through carefully chosen materials and colours.

Jeremy Wood’s My Ghost maps fifteen years of his journeys via GPS, turning movement into personal cartography. Footpaths, motorways, and flights create textured visual records, exploring how travel, landscape rules, and straying from routes shape experience.

Jeremy Wood mapped Uffington’s White Horse using GPS, creating a 1:1000 scale 3D model of 43 km of walks. His work links human movement and landscape, echoing Nasca Lines and chalk figures, revealing patterns only fully seen from above.