I am an innovative Media & Digital Art researcher, artist, and educator with a PhD in Music focused on Sonic Arts from the SARC: Centre for Interdisciplinary Research in Sound and Music at Queen’s University Belfast. I specialise in interdisciplinary projects that merge artistic expression with academic research.

The website "Code as Prosthesis" serves as an online platform exploring the intersections between code, technology, and human experience through an artistic and theoretical lens. It presents a collection of essays, projects, and artworks that investigate how code functions not only as a tool but also as an extension or augmentation of the body and mind. The content engages with themes related to digital embodiment, posthumanism, and the ways computational practices reshape perception, identity, and our interaction with space and culture. Structured around contributions from diverse artists, theorists, and researchers, the site delves into critical and speculative approaches to understanding code beyond its technical dimensions. It situates code within broader cultural and philosophical contexts, addressing its role in contemporary art practices and questioning normative relationships between human and machine. The material reflects a multidisciplinary inquiry, combining insights from media theory, cybernetics, and cultural geography to emphasize the prosthetic nature of technological interfaces in mediating lived experience.