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post 17 Aug, 2026

Border Correspondence

Among the Hannah Arendt Papers at the Library of Congress in Washington is a small collection of coloured envelopes once addressed to Walter Benjamin. They were sent to 10 rue Dombasle, Paris. Orange, yellow, pale blue. Today they are empty, but their surfaces are covered in tiny handwriting: corrected sentences, crossings-out, additions. Benjamin had reused

video 2026  

WALC Map Scramble 2 – documenting walking art with maps and mapping

Walking artist presenters featured in this video are: Marlene Creates, Ruth Broadbent, Idit Nathan, Martin Eccles, Barbara Lounder and Rachel Gomme. Please note that some technical issues were encountered when showing the presentations. For a Summary of this meeting please see the post “Scrambling for maps“. The second of an initial series of three Map

The Walking Body 7
WALC
Sound walk SWS24
2024

El Grand Tour 2023

This is a work shaped out of binaural recordings (please listen with closed headphones or quality earbuds to hear the immersive sound) made by me during a 3-week hike through the landscape of Aragon (Spain) starting from Pont de Suert to Sant Esteve de la Sarga. A group of artists walked all through the pre-Pyrenees,

video 2025  

WALC Confluence 10 Walking with a Cello and other stories

Do you want to know how our 2025 adventure went? How we set off from Badalona and crossed beaches, mountains, and rivers on our way to the Pyrenees — and climbed the Taga with a cello? Do you want to hear about our shared library, lovingly cared for by an artist? Marc Caellas, Christina Schulz

WALC
Happened
walkingevent  

Confluence 2 hosted by Nau Côclea

Nau Côclea
2024-05-29 17:30
Online

Do you like to travel on foot? Grand Tour is a 250km walk with poets, dancers, storytellers, visual artists and musicians. 21 days across beautiful landscape and hidden places in Catalonia, it is a shared celebration and this year, you can be part of it.

WALC
Happened
walkingevent  

WALC Confluence 6 hosted by Nau Côclea documenting walking art, featuring Ernesto Pujol.

Nau Côclea
2025-01-22 18:30
Online

How do you document Walking art? Asks your host, Clara Gari from Nau Côclea. For some artists documenting their work is a process of making a further an artwork in itself, for others the walk is the document. In 1998, the CDAN (The Centre of Art & Nature) in Huesca, Spain, commissioned a piece for

WALC
Curated news 12 Mar, 2022

Walking Arts Encounters Catalonia – July 2022

Walking Arts Encounters "Walking Arts and Relational Geographies". During 5 days in July the encounters moves nomadically through Catalonia, with a walking caravan, between and in the cities of Girona, Vic and Olot, parallel to an academical conference in these cities. Send us your proposals for walks, walkshops, projects, sound walks, audio papers and papers. Applications are open now, till May 10th!

Happened
walkingevent  

WALC Confluence 4 hosted by Nau Côclea featuring Grand Tour 2024, the year that we entered Barcelona

Nau Coclea
2024-09-25 17:30
Online

Entering Barcelona as part of the Grand Tour and an update on the WALC project.

WALC
video 2024  

WALC Confluence 2 with Clara Gari from Nau Coclea

Video recording of a Confluence progress meeting for the EU funded Walking Arts & Local Communities project

WALC
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Articles elsewhere

post 95

Camallera Sound Walk

November /December 2023 The Camallera Sound Walk is a walk around the border of the town of Camallera. There are 12 stages to the walk, and at each stage there is an original sound montage to listen to. It was created during an artist residency at Nau Côclea, Camallera, in Cataluña. The walk is on … Continue reading Camallera Sound Walk

Tamsin Grainger•
Walking without a donkey
post 90

Artist Residency, Cataluña

November 2023 I am happy to say that I am in Camallera near Girona, Cataluña / Catalonia, where I am in residence at Nau Côclea (Centre de Creació Contemporània Nau Côclea). I plan to make a Sound Walk. Map of Camallera, Cataluña I plan to walk around the edge of the town, the boundary of the area, listening to and recording ambient sounds. The rhythm of my feet will undoubtedly raise 'stories' from the soil, of the past and present. I will be responding with my own and others’ voices in response to these, aiming to create a rich soundscape of song, musical instrument and found-sounds which will encapsulate the ambience of the place.I have often travelled around the edge of somewhere for an artistic project (in Edinburgh, for example I have led walks around Granton and Leith) and I find that a ring of steps can mark-out a space in which magic can happen. Marking a boundary by human means (as opposed to in, or on a vehicle) and meeting people who live and move along it, is an interesting and enlightening experience. It is one which offers an opportunity to find out more about what and who lives on either side and the nature of separation and unity in this context. As I walk, I will be paying equal attention to the plants, insect and animal life which we share these edgeland sites with, especially observing the effects I have on them, and their presence at specific times of day and at this turn of the seasons. Unidentified flower in the Third Landscape of Camallera Looking at the map, the walk will probably cover a mixed manufacturing, retail, municipal, residential, touristic, rural and agricultural setting, maybe also “Undecided fragment[s] of the Planetary Garden … Neglected areas and wastelands” of the Third Landscape. The psychogeographer in me is always ferreting into nooks and noticing crannies of this sort. (With thanks to Laia Noal for guiding me to this term.) The Third Landscape where small mountains of different grades of ground mirror the Pyrenees in the distance. Camallera When I am in the research and preparation stage of making a Sound Walk, I follow the signs; I take notice of what happens around me, what books land in my lap, and conversations I happen to hear on the radio or when I’m walking. I have been reading about the suppression of freedom and the Catalan language during the Civil War of 1936-39, and all the human suffering caused by Francisco Franco up until 1975. I am fascinated by the Pact of Forgetting (given a legal basis in 1977), a political decision which was made, “in the name of ensuring a smooth transition to democracy” (smithsonianmag.com), and which “also committed the government to “la desmemoria” (disremembering), a policy that entailed avoiding anything that could awaken the memory of the past, such as the observation of the 50th anniversary of the start of the Civil War, in 1986…” (Encarnación, New York Times). More recently, the Historical Memory Law (2007) has allowed for “a debate on the civil war "after so many years of silence".” (The Guardian) and there has been interest in engaging with a recognition of the resulting grief. Some of the Civil War mass graves have been opened, and new rituals are being enacted around the acknowledgement of the loss on many levels. I come to this residency with many years of embodied study of death, grief and loss, personally, and through my Shiatsu work, death cafes, and writing. A recurring topic arising from participants at death cafes is our community tendency to ignore death or struggle to find ways to acknowledge it. Walking, Cataluña When I discovered that my visit corresponded with the annual walk across the Pyrénées from France in memory of Walter Benjamin, I knew I must join it. Benjamin was fleeing the Nazi regime in 1940, and was directed across the mountains by Lisa Fittko. He received bad news on arrival in Port Bou on the Spanish side and died by suicide that night, before being able to finally escape to the United States. The coincidence came as no surprise, and it is likely that the Sound Walk that I will be making during my residency will concern loss and its inevitable companion, renewal, as a result. I won't know what exactly will happen until I begin. “This level of inter-generational trauma takes time, so much time, to leave the gene pool. It surges through bloodlines ... How to tell a new story of resilience and hope? ... How can we honour the suffering of our ancestors – of those who came before us – but still try to unravel the chains we find ourselves bound by? Is the answer held within the very soil... Is the answer held in the residue the ghosts leave behind?” — Kerri ni Dochartaigh writing about the Irish Troubles in Thin Places p186 Collecting a feather a day (project began during the Covid pandemic). Feathers have often been associated with grief (see Emily Dickinson) I have already invited some local artists to sing and play to and in the place, people who belong here. If you are from the region or outside and are interested in this project and able to come between 20 November and 2 December (not 24th), I am inviting you to join me for one day or part of one day. Come and walk and listen, and share your feelings. Your contributions will join together in a co-created Sound Walk which will then live on in Camallera for anyone to join at a later date.Dates: 20 November and 2 December. There is one bed for you to stay a night in the artist's cottage if you need to. Let me know if you are interested! tamsinlgrainger@gmail.com Caption for photo gallery above, from left: Forest Bound, Festival of Terminalia, Festivities and DelegatesThe Artist Residency is part of the Separation and Unity Project (Caledonia / Catalonia). You may also be interested in other parts: El Grand Tour, Girona mini-pilgrimage, and Festivities and Delegates.References:Smithsonian Magazine https://www.smithsonianmag.com/history/battle-memory-spanish-civil-war-180969338/New York Times https://www.nytimes.com/roomfordebate/2014/01/06/turning-away-from-painful-chapters/forgetting-in-order-to-move-onThe Guardian https://www.theguardian.com/world/2007/oct/11/spain.internationalManifesto of the Third Landscape https://teh.net/wp-content/uploads/2022/08/TEH-Publication-Manifesto-of-Third-Landscape-145x225mm-2022-WEB-Spreads.pdf

Tamsin Grainger•
ALL BLOG POSTS - Tamsin Grainger
post 90

Sound Walk, Cataluña

November 2023 I am happy to say that I am on my way to Camallera near Girona in Cataluña / Catalonia, where I am taking up an Artist’s Residency at Nau Côclea (Centre de Creació Contemporània Nau Côchlea). I will be walking around the edge of the town, the boundary of the area, listening to … Continue reading Sound Walk, Cataluña

Tamsin Grainger•
Walking without a donkey
post 95

El Grand Tour

El Grand Tour is an annual walk in the Pyrenees and its foothills which I joined this August 2023. It was organised by Clara Garí (Nau Côclea), Beatriz Aisa (geographer), and colleagues. Every day we do a stage of about 15 km with artists who have projects and proposals to share with the walkers.On the … Continue reading El Grand Tour

Tamsin Grainger•
Walking without a donkey

Links

Monique Besten Walking a Grand Tour

An 18 day virtual solo walk from Queralbs to the Montserrat mountains (Spain), to be repeated in August/September in the company of many people. Commissioned by Nau Côclea. The same route twice, in two different ways, two different stories (or not?).
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