One hundred days on foot, Paris to Nafplio. The heartbeat replaces the kilometre as the unit of measurement. Each day yields one sealed Cardio-Cartography. On 5 November 2026, ten minutes of restitution at the University of the Peloponnese.

Walking through the streets of Jinze, Shanghai, Anne Mølleskov wore a canvas dress transformed into a mobile gallery of forest photographs, creating a transient, autonomous art platform that moved freely through public space.

An experimental 1921 Dada walk that mocked guided tours by leading participants to an ordinary Paris churchyard. Manifestos, absurd readings, and chance actions turned a banal site into anti-art, challenging tradition and redefining walking as perfor

27 chairs were carried by performers on bamboo poles from nearby institutions to the 34th Biennial, then arranged as sculptures and conversation spaces, connecting people, objects, and places in a shared, politically and socially resonant experience.

A personal pilgrimage, walking a familiar yet untrodden path, drawing a line, a physical and mental marker of transformation. This resulted in a series of large and small drawings using embodied repeated mark-making make Visible the Invisible.

*Procession* was performed in early 1974 when Teresa Murak wore a coat of cress seeds and walked through the streets of Warsaw, merging feminine labor, nature, and politics. The act, documented in photos and oral history, became a landmark feminist performance.