A 50 mins recording of a live streamed walk presented as part of the Advanced Master in Artistic Research in Social and Political Context - Sint Lucas Antwerpen.

What can a cemetery teach us? The Graveyard Digression asks this question, and many more, in an aprox. 30 min. sound journey passing through St. Pauli Southern Cemetery, Malmö. A sonic essay consisting of field recordings, music, poems and anecdotes.

This project explores how we can create new geographies of the mind by collaboratively exploring our local environments slowly, at a very small scale, and by hand rather than on foot. Working together, artists Chris Kaczmarek and Deirdre Macleod each recorded, using Whatsapp, a sequence of concurrent haptic walks in which each artist draws attention

An audio essay about soundwalking for Walking Encounters 2023 in Prespa

The four episodes lead and allure to body-perception experiments while walking. They are intended for individual or collective appropriation of the city – with and through somatics, choreography and artistic research.

The walk leads to body-perception experiments while walking. They are intended for individual or collective appropriation of the city – with and through somatics, choreography and artistic research.

The Transeuntis Mundi Project uses immersive 360° walkscape recordings to create a transmedial archive of cultural heritage from diverse global sites, currently representing four countries across four continents. Led by Brazilian artist Candida Borges and Colombian researcher Gabriel Mario Vélez, the project integrates technology, nomadic practices, and artistic research to produce virtual reality works, audiovisual compositions, and performances reflecting millennial human passage.

In autumn 1969, Vito Acconci embarked on an unusual artistic pursuit in New York City. He chose people at random on the streets and followed them, continuing until they entered a building.