Scores
Highlights
Intervenções urbanas/Exercício para a cidade I – Silhuetas
A participatory urban action by Paulo Bruscky invited the public to walk specific streets of Recife while reading any paper, shifting attention between page and city. On a sunny day, perception itself becomes the artwork—an exercise in seeing rather
Circular Walk inside Arctic Circle, Around Inuvik, N.W.T.
N.E. Thing Co.’s Arctic walk in Inuvik documented steps, distance, and circular movement, while the Baxters transformed maps with instructions and drawings, turning abstract space into lived, dynamic landscapes that challenged rationalized grids and static representations.
Walking pieces
Theatre Music
Theatre Music: Keep Walking Intently (1964) by Takehisa Kosugi, a Fluxus score, transforms the simple act of walking into focused, durational performance, highlighting individual and collective endurance while framing everyday movement as theatrical and meaningful.
Composition 1960 #10 (to Bob Morris)
Composition 1960 #10 directs the performer to “draw a straight line and follow it.” Dedicated to Robert Morris, this minimalist work transforms a simple action into a conceptual exploration of movement, space, and the performative potential of everyday gestures.
Breathing-in-the-Breathable
Breathing-in-the-Breathable is a collaborative project by Robert Bean and Barbara Lounder, exploring walking as art and pedagogy. Through site-specific works across multiple locations, it engages with the environment, militarism, and climate crises, challenging histories and ideologies.
Festival Proposals (dog walking)
Festival Proposals by Peter Liversidge consists of 103 hand-typed suggestions sent to Ingleby Gallery during the Edinburgh Festival. Ranging from fantastical to feasible, some were realized as artworks and performances, while others exist solely as ideas. Dog Walking was one of these Festival Proposals.
Articles elsewhere
Marie Christine Katz, Let’s Take a Walk (2009-)
“This project began in 2009 as a virtual Twitter guided walk. Participants from anywhere in the world join in via @mcayer. Over time it evolved into an on site performance as well. So far there have been more than 55 walks; each is a shared moment—a step towards peace. Walking together, though apart, we’ll journey […]
Marina Abramović and Ulay, Relation in Space (1976)
“Performed on the 16th of July at the Venice Biennale in 1976 with Ulay. In Relation in Space (1976) they ran into each other repeatedly for an hour – mixing male and female energy into the third component called “that self.”” (credit)
