In Cadarço, Marcius Galan tied his sneaker to a shoelace continuously produced by a braiding machine at Galeria Vermelho. He walked only as far as the thread allowed, turning movement into a negotiation with time, waiting, and constraint.

*Procession* was performed in early 1974 when Teresa Murak wore a coat of cress seeds and walked through the streets of Warsaw, merging feminine labor, nature, and politics. The act, documented in photos and oral history, became a landmark feminist performance.

Land Mark (Foot Prints) documents activist collaborations in Vieques, where altered shoe soles stamped protest slogans onto former military land. The photographs capture fragile, temporary marks of dissent that question land use, power, and reclamation through everyday actions.

Head Sculpture, a performance by Efrat Natan, used a T-shaped headpiece worn while walking in Tel Aviv after Independence Day to restrict vision and draw attention, questioning belonging, conformity, and militarized urban space through bodily limitation.

UITLAATTUIN explores wearable nature and mobile landscapes, challenging the concept of gardens, especially in urban settings. Through projects, exhibitions, and workshops, it pushes boundaries and promotes new ways to engage with nature in stony environments.

Sandalia is a limited edition rubber sculpture of 60 sandals, featuring relief maps of Havana neighborhoods on the soles. Transforming a mass-produced object into art, it reflects place, identity, and culture, inspired by watercolor drawings of Old Havana and Vedado.

Unsilent Night is a mobile sound sculpture where participants play pre-recorded tracks as they walk, creating a 45-minute layered ambient soundscape. Performed annually worldwide in over 175 cities.

Armor (2015) by Kubra Khademi is a provocative performance in which the artist wore a metal breastplate mimicking exaggerated female anatomy, challenging societal norms and gender roles in Kabul. The piece led to exile after violent backlash, marking a pivotal moment in her career.

Walk a Mile in Her Veil explores Arab identity and feminism, inviting visitors to wear the veil and experience its complexity. The work challenges stereotypes, promotes empathy, and sparks dialogue about women's agency and the multifaceted meanings of the veil.

Dennis Oppenheim’s Ground Mutations – Shoe Prints (1969) used grooved shoes worn for three months to leave imprints across industrial landscapes, documenting human movement and transforming ordinary footsteps into patterns that merge process, trace, and photographic art.