Upcoming events
Nocturnal Walkthroughs: Memories of Water
24/10/2026
Nocturnal Walkthroughs: Memories of Water
21/11/2026
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canal
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14 items
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Weaving Water
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2 items
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Walking piece
Marŝarto25
2024
Water, Earth, and Peace: Coming home to where we come from
Walking in transitional, interstitial spaces where Water and Earth meet is special. From walking-with and sensing the presence of rock and water bodies, on the banks of Lake Prespa (Greece) or the River Maas (Holland), it emerges to feel Water as home and relational peace quality, which inspires humans to create. To co-create and find forms for joint walking, artistic work, and ecosomatic practice, as ways of storytelling with Earth & Water.
WAC25: Walking Home / Walking in Transition
Walking piece
Marŝarto24 Shortlisted
2024
Libations
Drawing on an old local folk-tale that contains remnants of ritual, Libations was a 30-day project involving listening to the land and multi-species others, walking, and pouring a libation of water as an offering each day.
Sound walk
SWS24
2024
Heat Walk
What does the city sound like in extreme heat? This is an 8 minute and 49 second composite recording documenting the experience of walking in 100 (often 110 degree plus) temperatures in Phoenix, Arizona.
Walking piece
1954
Water Walk
John Cage's 1959 score, consisting of of a list of properties, a floor plan showing the placements of instruments and objects, three pages with a timeline (one minute each) with descriptions and pictographic notations of occurrence of events, and a list of notes "regarding some of the actions to be made in the order of occurrence.”
post
Marŝarto23
26 Dec, 2023
Towards the Severn… Towards the Sea
With The (Future) Wales Coast Path, Alison Neighbour, through a cooperation between Wales and India, Alison Neighbour seeks to raise awareness of the impermanence of the land many of us take for granted, and to open up a local and global conversation about flooding, sea level rise, and adaptation. This walking piece is one of the shortlisted
post
SWS23
14 Dec, 2023
Along the water’s edge
Keira Simmons envisions the future of Port Adelaide in 2100. The sound walk takes listeners on a journey through the past, present, and potential future of the region, illustrating the ecological, infrastructural, and social transformations over time.
post
SWS22
11 Dec, 2022
Walking together into a better future
Building awareness for a more planet- and people-friendly Tayport.
Curated news
07 Nov, 2022
How you can explore Seattle’s waterways with ‘Saltwater Soundwalk’ | The Seattle Times
You can listen to this 55-minute, site-specific audio piece from home or on a long walk along the water between Gas Works Park and the Fremont Bridge. Source: How you can explore Seattle’s waterways with ‘Saltwater Soundwalk’ | The Seattle Times
Petite chronique auriculaire d’un tarissement chronique
A la suite de nombreuses pérégrinations audio-paysagères à long terme, à porter l’écoute sur des territoires irrigués, j’ai décidé il y a quelques années de synthétiser et de concrétiser une problématique, celle de la vitalité de la présence aquatique dans le paysage. Le projet « Bassins versants, l’oreille fluente », centré autour de la présence acoustique de […]
POINTS D'OUÏE, PAYSAGES SONORES PARTAGÉS
Point d’ouïe, le long du Rhône
Un jourà Lyonassez tôtjuste avant la chaleurun groupeun fleuveun fluxdiscretsilencieuxpresque endormien apparenceune déambulationen lenteuren silenceen accordancedes rythmesjoggeursJoggeusessoufflespiedsdes roulements chuintant, ferraillantquais en éveilville qui s’ébrouesoleil déjà tenacepontréverbération sous des voûtesbancs en points d’ouïeposesécoutesarrêts sur sonsface aux flots lascifsauscultationeau-sculptationrumeur urbaineémergences urbainesatténuationcontrebasd’une rive à l’autreralentissementambiancesimmersionconnivencefluencescénophoniescén’eauphonieparcourspavésasphaltechuchotementsriresscène acoustiqueintersticesgéographie sonore À la suite PAS – Promenade Audio Sensible – Festival « Charité […]
POINTS D'OUÏE, PAYSAGES SONORES PARTAGÉS
Et avec ta ville, comment tu t’entends ?
Et avec ta ville, comment tu t’entends ?Villes en écoute(s)Traversées nocturnesUrbanités au fil de l’eauTrames blanches et autres aménités audio-paysagèresCuriosités et singularités acoustiques…La ville n’est pas que bruit, tant s’en faut, che...
POINTS D'OUÏE, PAYSAGES SONORES PARTAGÉS
Pathways of knowing
In this poetic photo essay, Emma Plover walks with edges, inviting the reader to step into closer relationship with their everyday journeys and environments.
Walkspace
Happened
walkingevent
Utility Notation
A psychogeographic walk that treats spray-painted utility codes as an alternative navigational score, using overlooked infrastructure markings to direct movement and observation through Point Breeze.
Happened
walkingevent
Place-making and the Rivers of Lewisham: Podcasts and Report Launch
Join urban sociologists Dr Emma Jackson and Dr Louise Rondel to celebrate the launch of the Place-making and the Rivers of Lewisham podcasts and project report, hosted by the Centre for Urban and Community Research (Goldsmiths). As part of this event, you are invited to join us to walk along two stretches of Lewisham’s rivers, from Lower
Happened
walkingevent
Wetlands: Watery walk and collective climate fictions
This speculative walk will explore the physical and imagined landscape of some of London’s future islands, that could emerge, should the Thames barrier ever fail, in the context of rising sea levels.
Happened
walkingevent
Reading Water
Open call for young people in the UK and Egypt to respond to water issues by connecting their places, and transforming them in collective answers, with contemplative ecology.
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100 Circles
Lenzie Moss is a designated Local Nature Reserve in East Dunbartonshire, near the city of Glasgow, UK. It is a boggy and marshy area with a history of peat extraction. The Moss now serves as a vital habitat for diverse wildlife, including water vole and bog rosemary, and the green hairstreak butterfly, alongside areas of silver birch woodland.
My name is David Overend. I moved to the edge of Lenzie Moss in the summer of 2023 and began to regularly take the 25 minute walk round its border, sometimes daily. I have walked with friends, my children, and once with an expert on water vole habitats. Mainly I have walked alone: as a break from work; to start the day with some fresh air; in search of kestrels and deer. Every time I complete the circle, I notice, learn or experience something new. The walk has become something of a ritual, a way of marking the change in the seasons.
Since I started to follow this route, I have had the feeling that there is more to discover and that this repeated circular walk might lead me somewhere. So, I am walking it 100 more times, each time with a different person from the local community, or a visiting artist or researcher with some interest in peatlands. As I share these encounters on this blog, I hope that a co-authored text will emerge, bringing a series of walked dialogues to a wider readership, and perhaps finding a way for the Moss to tell its stories.
If you would like to be part of this project and join me for a walk round Lenzie Moss, please get in touch.
Anja Podreka
Website about my work
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Helen Ottaway
Helen Ottaway is a composer, pianist, installation artist and curator. While a student at Goldsmiths’, University of London in the 1980s, she studied briefly with John Cage and up to 1998 worked as a performer, musician and composer with experimental music and theatre groups, touring nationally and internationally. In 1999, with arts administrator Steve Ehrlicher, she formed Artmusic to promote and produce collaborative,site-specific and participatory work. As lead artist she has had extensive experience of working with artists from different disciplines and curating and producing her own and other artists work. As a composer she has received commissions from BBC2, Salisbury Festival, Bath Film Festival, the Bernardi Music Group and others. Landscape, water and nature provide inspiration and and are recurring themes in a style that is predominantly minimalist with influences from folksong and English pastoral and church music traditions.