This is the Museum of Walking (MoW). Find featured collections, below. Or, check out our archive of walking pieces, videos & films, books, links, podcast episodes, glossary, and articles.
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What Walking Art Notices
An attempt at characterising 76 works in the WLC archive suggests that walking art makes urban conditions perceptible in ways that conventional walkability measures rarely do. Through altered routes, sensory attention, collective movement and counter-mapping, these pieces expose the histories, power relations, ecological conditions and embodied constraints that shape how space can be inhabited.
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Because the streets belong to everyone
Morag Rose, author of the widely acclaimed The Feminist Art of Walking will be joined in conversation with author and poet Polly Atkin for our first Walking Writers Salon on 2026. For over 20 years Morag Rose has been seeking company, undertaking a wide range of explorative wanders on foot through her home city of
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The Fifth World Congress of Psychogeography 2026 open call!
This year, we are exploring Uncharted Territory: an unfamiliar area or situation, especially one that has or seems to have no maps or guidelines. We’re looking for psychogeographers from all disciplines, and are on the hunt for: Walks, talks, presentations, workshops, performance, films/short films, games, music and sound, installation, photography, happenings, interventions, art… and, well, anything else
Peripatetic pedagogical practices: Interdisciplinary walking and mobile methods in Higher Education
Dr Louise Rondel will lead this one-day workshop focusing on the use of walking and other mobile methods in teaching. Full details and booking using the links below but do note that Dr Emma Jackson who has recently edited the collection Walking: A sociological field guide will be joining as the keynote speaker.
Mnémosyne. Paris → Nafplio, 100 days on foot
One hundred days on foot, Paris to Nafplio. The heartbeat replaces the kilometre as the unit of measurement. Each day yields one sealed Cardio-Cartography. On 5 November 2026, ten minutes of restitution at the University of the Peloponnese.
Walking and Heritage: Embodiment, Place and Memory
From walking arts and guided tours to sacred pilgrimage, how and in what ways do walking practices speak to heritage? This is an invitation to contribute to an edited collection of critical writings and reflective documentation from practices at the intersection of embodiment, site and heritage. The collection attends to walking as a situated practice,
What the body has come to know: a collective walking experience
This article first appeared in Anima Loci. Unfolding through the city of Guimarães, Portugal, The Walking Body is an artistic research programme that explores collective walking as a methodology for situated knowledge, creative inquiry and engagement with place. Taking place across three consecutive editions (2024–2026), the programme has generated a range of artistic outputs: from drawings to
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Et si Biarritz était un choeur? (What If Biarritz Were A Chorus?)
I walk to encounter the city, to fill myself with it: my Biarritz, theirs. Could what I am looking for lie in the very movement of walking? The movement of my body, of the city, of water, and the movements that pass through us?
What Walking Art Notices
An attempt at characterising 76 works in the WLC archive suggests that walking art makes urban conditions perceptible in ways that conventional walkability measures rarely do. Through altered routes, sensory attention, collective movement and counter-mapping, these pieces expose the histories, power relations, ecological conditions and embodied constraints that shape how space can be inhabited.
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