Migrating Voices—Walking for Life, an audio-visual experiment we shared in the heart of Psarades, within the WAC25, a Walking Arts Encounter

A video recording of a Showcase celebrating the first anniversary of the Walking Writers of Prespa. A collective of walking artists and writers who first gathered at a long table under the linden trees of Psarades during the 2025  Walking Arts Encounter. Ann de Forest, a longtime writer and relative newcomer to walking art, initiated the gathering, envisioning

In the meetings of the “7 plus 7 Places to Walk” – A 2 year laboratory of Ideas – all artists who participated or were present in WAC Encounters 2025 will have the chance to further discuss everything that took place in Prespa these 7 days, from June 30th to July 6th, 2025, and ruminate

In the meetings of the “7 plus 7 Places to Walk” – A 2 year laboratory of Ideas – all artists who participated or were present in WAC Encounters 2025 will have the chance to further discuss everything that took place in Prespa these 7 days, from June 30th to July 6th, 2025, and ruminate

In the meetings of the “7 plus 7 Places to Walk” – A 2 year laboratory of Ideas – all artists who participated or were present in WAC Encounters 2025 will have the chance to further discuss everything that took place in Prespa these 7 days, from June 30th to July 6th, 2025, and ruminate

In the meetings of the “7 plus 7 Places to Walk” – A 2 year laboratory of Ideas – all artists who participated or were present in WAC Encounters 2025 will have the chance to further discuss everything that took place in Prespa these 7 days, from June 30th to July 6th, 2025, and ruminate

In this online café, we brought together four artists and practitioners working at the intersection of walking, health, and care to explore how walking is shaped by lived physical conditions. Rather than focusing on walking as an individual ability, we ask how walking becomes a practice of adaptation, resilience, negotiation, and relational care. Through artistic

Video recording of a conversation between Julian Hoffman, author of Lifelines – searching for home in the mountains of Greece, and Annemarie Lopez. When Julian first arrived in Greece’s remote Prespa region, his Greek was “almost non-existent.” Walking became a form of literacy for him—a way to learn the language of the land by tracing the

Migrating Voices—Walking for Life, an audio-visual experiment we shared in the heart of Psarades, within the WAC25, a Walking Arts Encounter

A walkshop held in 2023 at the WAC International Encounters Conference at Prespa, Greece. Organised and supported by the University of Western Macedonia.

On May 2, 2025, UOWM held the first info session for WAC25 participants, sharing details on transport, accommodation, and navigation around Lake Prespa.

Migrating Voices (work in progress) , a polyphonic, immersive, connected device by Gigacircus art collective in the conext of the EU project WALC. Visit https://gigacircus.net/walc for more information.

Video recording of an on-the-ground and online café from The Walking Body 5. The Walking Body 5 brings 9 international artists together, with the collaboration and involvement of EAAD and schools in Greece (Aristotle University of Thessaloniki) and Spain (University of Murcia). Each artist has their own connection with walking in a more than human

The WAC coordinators Yannis Ziogas and Geert Vermeire are your hosts, together with to the documentary director Christos Ioannidis.

In the framework of the Walking Encounters in Catalonia two duos of artists participated with remote audio walks, in the wake of the pandemic.

Authors of audio papers are invited, along with creators of sound walks for Walking as a Question, to share their thoughts and experiences about their works and this innovative practice of walking, writing and listening.

In a practical and reflective approach, Geert Vermeire, Yannis Ziogas, Christos Ioannidis, and Annie Tsevdomaria will engage with you in a sharing of practices and methodologies around the documenting, registering and archiving of walking as an art, starting from its most fundamental question: “Does Walking Art need to be preserved, or if the Walking itself is the Art, does it make sense at all to register it.”