Voice and Dutch text : Geert Vermeire (writer, performer). Field recordings, composing, production & mixing : Stefaan van Biesen [composition and field recordings in Athens, Venice and Antwerp]. Art exhibition [re]present, Attenhoven Church, Belgium

One hundred days on foot, Paris to Nafplio. The heartbeat replaces the kilometre as the unit of measurement. Each day yields one sealed Cardio-Cartography. On 5 November 2026, ten minutes of restitution at the University of the Peloponnese.

A photographic exploration of Psarades village through seven years of walking, documenting life at the tri-national point where Greece, Albania, and North Macedonia meet at Prespa's lakes.

A 5.5-hour walk along Prespa's receding shoreline, tracing a route that would have avoided post-civil war surveillance checkpoints. White stones became "White Pages"—transforming resistance into reflection.

Walking in transitional, interstitial spaces where Water and Earth meet is special. From walking-with and sensing the presence of rock and water bodies, on the banks of Lake Prespa (Greece) or the River Maas (Holland), it emerges to feel Water as home and relational peace quality, which inspires humans to create. To co-create and find forms for joint walking, artistic work, and ecosomatic practice, as ways of storytelling with Earth & Water.

Participants, each speaking only their mother tongue, engaged in a walk and discussion without a shared language or set topic, creating a dynamic, horizontal process of interaction. The experience emphasized expression over comprehension, producing a multilingual soundscape. Some other themes explored included communication beyond understanding, identity, isolation, reflection and connection, disorientation, and the power of being present and included.

A 10-minute ritual of repair responding to a denied pedestrian crossing at the Greek-Turkish border. The performance transforms an administrative wound into a poetic threshold through a physical "suture" and a bilingual GPS soundscape.

Presented at WAC 25, I AM A HUMAN SEISMOGRAPH encouraged Walkshop participants to develop their own codes and systems to generate walking drawings that document and celebrate sensorial attentiveness and presence in the world.

A participatory night-walk/poem inspired by the rare electric illuminations of the atmosphere.

A program within WALC25, curated by Clare Qualmann, Clementine Butler-Gallie & Athanasia Tziona. It created playful, intergenerational encounters with children, connecting local communities and affirming children as equal participants in walking art.

A series of parallel walks exploring the way from seclusion and destruction to playful movement and exchange under the open sky.

Jenny Staff’s walk: Invisible to Visible A video of the re-enactment of a pilgrimage walk made in Lancashire, England, that took place in a Greek village square and which replicated her 19273 paces.