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The Ghost in the Pedometer

26 Apr, 2026

Like everyone else, I’ve been thinking about AI. Often on my walks. OK, it can render a perfect map, predict the geology under my feet, summarise the history of the towpath. But it cannot feel my jolt of irritation as a Deliveroo cyclist swerves around me, or the painful realisation that the sandals I haven’t worn all winter are giving me a blister. Nor can it pause in wonder at the confetti of petals falling from an ornamental cherry tree.

For the walking artist, the work exists precisely in that friction. In a world of frictionless, automated content, the irritations and small joys of 'being there' become the point. The body is the instrument; the footsteps are the method. Conversations, glitches, wrong turns, the sudden peach-tint in a cloud after rain, these are textures no prompt can generate.

Yet the new generation of "agentic" AI like Mythos can plan, reason, anticipate, act. It will sharpen the question already circling among creators: is this replacing what we do? The response is often a mix of grief, anger, scepticism, and occasionally, curiosity. I find myself leaning toward the latter. What if AI is not a rival, but a potential companion, a ghost on the path?

These systems are trained on the traces we have left behind: maps, diaries, photos. The ghosts of our own experience. Charles Dickens walking at night, hearing the cries from Bethlem Royal Hospital. Virginia Woolf slipping out to buy a pencil so she might dissolve into the swirl of strangers. For better or worse, AI has absorbed these traces, and can recall them to us on the road.

Maybe these new AI are like ghosts longing for what we have: a body. And maybe they have something to offer us too. I want to know what they 'see' when they look at the same traffic-strafed road, the same gloomy alley or canal path as I do. What do they remember? What do they want to whisper? Can they give us their own imperfect translation of the birdsong, the insect chorus?

Perhaps the ghost is not here to replace us. Perhaps it wants to communicate with us, to haunt us back toward what we keep walking past.

The only way I know to think any of this through is to keep walking. This seems like the right moment to remind you of our Pilgrimage Poetry Competition: Solvitur Ambulando. Deadline midnight Monday 27th April. Pilgrims send us your poems!

Writer, walker, digital storyteller, psychogeographer

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29 Apr - 26 Jul, 2026 UTC · Carl-Schurz-Straße 49, 13597 Berlin, Spandau, Germany
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Walking Arts & Local Communities (WALC) is an artistic cooperation project, co-funded by the European Union, Creative Europe, starting in January 2024 for four years. With seven partners from five countries, WALC establishes an International Center for Artistic Research and Practice of Walking Arts, in Prespa, Greece, at the border with Albania and North Macedonia, backed up by an online counterpart in the format of a digital platform for walking arts.

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