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Walking together in peace

11 May, 2025

I've been spending time in Palermo lately—a city once known for mafia violence and fear, where memories of public assassinations and systemic corruption still linger in the streets as murals and shrines to victims and in the stories of the older generations. But today, Palermo feels transformed. The evenings here are filled with the joy of the passeggiata, that ritual stroll where locals of all ages take to the streets—walking, talking, people watching.

This week I also joined a crowd of smiling onlookers as a procession moved slowly through the streets. Children were playing brass instruments while others carried a statue of Jesus from the local church. They were met with cheers, confetti and applause from neighbours leaning out of doorways and balconies. In the crowd, I spotted a woman wearing a t-shirt that said ‘No Pizzo’ – a reference to a community project that began some 20 years ago with street stickers inciting Palermitans to refuse to pay mafia protection money (pizzo).

In these moments, the city becomes a living, collective artwork—its people composing a choreography of peace and joy. For those of us drawn to walking arts and writing, Palermo offers a vivid reminder of how walking can be a form of quiet resistance, a reclaiming of public space, a gesture of togetherness and trust.

This Friday, 16th May, marks the International Day of Living Together in Peace. At a time when violence and division still shape much of our world, walking remains a quiet yet powerful act of connection.

When I haven’t been walking the streets, I’ve been immersed in reading the selected entries to our 39 Steps flash fiction competition for our limited edition illustrated chapbook. These fun, surprising, and suspenseful pieces reimagine the spirit of John Buchan’s classic man-on-the-run tale in inventive new ways. For more information about our upcoming chapbook - stay tuned!

Writer, walker, digital storyteller, psychogeographer

Supported by: Placecloud
Researchers use Placecloud to mark sites of significance with short podcasts.

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We are delighted to announce the authors selected for our forthcoming illustrated chapbook anthology 39 Steps, celebrating the famous man-on-the-run thriller by John Buchan – The Thirty Nine Steps. The stories were submitted to our recent 39 Steps micro-flash fiction writing competition, in which authors were challenged to write a story in 39 words or

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pedestrian acts

By de Certeau: In “Walking in the City”, de Certeau conceives pedestrianism as a practice that is performed in the public space, whose architecture and behavioural habits substantially determine the way we walk. For de Certeau, the spatial order “organises an ensemble of possibilities (e.g. by a place in which one can move) and interdictions (e.g. by a wall that prevents one from going further)” and the walker “actualises some of these possibilities” by performing within its rules and limitations. “In that way,” says de Certeau, “he makes them exist as well as emerge.” Thus, pedestrians, as they walk conforming to the possibilities that are brought about by the spatial order of the city, constantly repeat and re-produce that spatial order, in a way ensuring its continuity. But, a pedestrian could also invent other possibilities. According to de Certeau, “the crossing, drifting away, or improvisation of walking privilege, transform or abandon spatial elements.” Hence, the pedestrians could, to a certain extent, elude the discipline of the spatial order of the city. Instead of repeating and re-producing the possibilities that are allowed, they can deviate, digress, drift away, depart, contravene, disrupt, subvert, or resist them. These acts, as he calls them, are pedestrian acts.

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