I first met Matina Galati in a grove of extraordinary juniper trees on a limestone mountain above the Prespa lakes where I live in northern Greece. That day, I’d been walking with the Hungarian gar… Source: Artwork for Lifelines: Interview with Matina Galati – Julian Hoffman

Stefaan van Biesen revisits a walk he shared decades ago, reflecting on change, as well as the lack of change.

Laura Mitchison captured the history of two hospitals closing down through the soundscapes they carried throughout their histories.

Karen O’Rourke created a sound walk with a focus on Third Ward in Houston, renowned for its mix of cutting-edge art and community action.

Emma Welton creates hand-drawn illustrated maps as a kind of graphic scores, capturing the sounds of her environment, creating short walks where participants experience new and familiar sounds in different ways.

Migrant domestic workers in Lebanon and the UK talk about their experience in Ella Parry-Davies’ piece ‘Home Makers’, to be listened to in select locations in London and Lebanon, creating a mix of intimacy, while showing the limits of identification and solidarity.

Irena Pivka and Brane Zorman discuss their sound walk Sandbox, a meditative experience, a training in mindfulness and encouragement to critically think about our individual experience and environment.

Carina Pesch talks about her album “The Ears May Travel”, created as a reflection on the challenge of travel during COVID.

Viv Corringham walks with people and then ‘sings’ their route. Under lockdown, she did this remotely.

Martin P Eccles reflects on his 42 walks during British lockdown, creating an island of experience with his house at the center.

Elspeth Penfold discusses the background to her shortlisted A different LENS, around the ideas of psychogeography, disruption, and the Long Table.

A brief introduction to the history of Greenwich Village, as featured in the sound walk ‘The Last Eccentrics of Greenwich Village’.