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Aurora dos Campos

Aurora dos Campos

 

Aurora dos Campos is a set designer, artist and researcher.

She holds a PhD in Fine Arts from the Faculty of Fine Arts of the University of Porto [FBAUP], having received a grant from the Foundation for Science and Technology [FCT] for her research entitled “Fictionalising Matter ∩ Materialising Fiction: The Artistic Practice of a Set Designer”. She is a research fellow at the Institute for Research in Art, Design and Society [I2ADS]. She holds a Master’s degree in Art and Design for Public Space from the Faculty of Fine Arts of the University of Porto, with the dissertation “Dramaturgies of the Everyday: Speculations on the Fictional Dimension of the Real” [FBAUP | 2019] and holds a Bachelor’s degree in Performing Arts with a specialisation in set design from the Federal University of the State of Rio de Janeiro [UNIRIO | 2006].

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performance

12 sub-collections · 383 items

rio de janeiro

Collection · 3 items

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Emmie Anne Alderson Theatre

A Pilgrimage for Sylvia is a ongoing performance and research project which focuses on Emmie's pursuit to find the remaining traces of Sylvia Plath's presence. The project so far h as taken the form...

walkingevent

The Lucky Trikes: Listening Pasts – Listening Futures

Storyteller Deirdre Harrison brings this storytelling chamber band that has been delighting intergenerational audiences since 2014. Dynamic, interactive readings of well-known and award-winning books are accompanied by improvised and composed music.

wfaesec
Walking piece

Property Lines

Property Lines is a collection of graphite rubbings on paper documenting 76 property line floor markings in New York City sidewalks.

Francisca Benítez
Walking piece

Walking on the Wall

Seven performers walk on a wall, parallel to the floor, hold by ropes and harnesses.

Trisha Brown

pedestrian acts

By de Certeau: In “Walking in the City”, de Certeau conceives pedestrianism as a practice that is performed in the public space, whose architecture and behavioural habits substantially determine the way we walk. For de Certeau, the spatial order “organises an ensemble of possibilities (e.g. by a place in which one can move) and interdictions (e.g. by a wall that prevents one from going further)” and the walker “actualises some of these possibilities” by performing within its rules and limitations. “In that way,” says de Certeau, “he makes them exist as well as emerge.” Thus, pedestrians, as they walk conforming to the possibilities that are brought about by the spatial order of the city, constantly repeat and re-produce that spatial order, in a way ensuring its continuity. But, a pedestrian could also invent other possibilities. According to de Certeau, “the crossing, drifting away, or improvisation of walking privilege, transform or abandon spatial elements.” Hence, the pedestrians could, to a certain extent, elude the discipline of the spatial order of the city. Instead of repeating and re-producing the possibilities that are allowed, they can deviate, digress, drift away, depart, contravene, disrupt, subvert, or resist them. These acts, as he calls them, are pedestrian acts.

Added by Asli Ozgen-Tuncer
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