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Richard White

I am a creative producer and participatory media artist, intrigued by the possibility of being at the point where the physical and the virtual meet.

Most recent articles

Richard White 35

One Lost Stone

website review: the virus forces the imagination. The show that became a website. An experience we could not have imagined: One Lost Stone, directed by Thomas Kampe for Pascal Theatre Company was coming together as Covid-19 struck. In the time … Continue reading →

Richard White
Richard White 30

After Auschwitz

Upcoming London exhibition with Lorna Brunstein at Hundred Years Gallery. Installation films/recorded live performance, assembled artefacts photography.  ‘After Auschwitz’ is an immersive multi-media installation reflecting on the impact of the two visits to the Death Camp. It features soil gathered … Continue reading →

Richard White
Richard White 70

Embodied Learning: Moving Creativity and Agency

A Call for Presentations: Embodied Learning: Moving Creativity and Agency                                      One–day Symposium Oct 19th 2019,               … Continue reading →

Richard White
Richard White 65

Relational Intelligence

Relational Intelligence: A Contact Improvisation and Ensemble Improvisation Skills Workshopby Nita Little When bodies meet, intelligence is found in the quality of touch, the organization of physical forms, the ability to share the physics of motion, timing, and the giving … Continue reading →

Richard White
Richard White 85

Travelling backwards to the Underground Railroad

reflections on a week in Ontario, Canada After a days walking in the city, leaving facing backwards watching skyscrapers shrink to distant stubs, it struck me that Toronto Ontario sounds like some kind of palindrome. Not quite reading forwards and … Continue reading →

Richard White
Richard White 60

Confluence

Exhibition and workshops in Stroud I am showing work here alongside Walking the Land artists and offering a short textual intervention with the Space, Place, Practice research group. We give the idea of enchantment ‘a good frisk’, according to one … Continue reading →

Richard White
Richard White 85

Enchantment and re-enchantment

to start the year lets begin here with a different map  asked what does re-enchantment mean to me…and it turns to a rant I challenge the notion of re-enchantment!   To me re-enchantment speaks of an anthropocentric ecology reflecting modern … Continue reading →

Richard White
Richard White 85

Sweet Waters: Soundings

Sweet Waters: Soundings from the walks Saturday 21 October from 13.00-16.00 Saltford Brass Mill The Shallows Saltford BS31 3EY an installation in sound and images Responses and resonances sense-ing legacies of slave-ownership in Bath and along the River Avon….visit the … Continue reading →

Richard White
Richard White 95

Sweet Waters Holburne Museum to Beckfords Tower

A first stab at writing up my notes: I come back from a walk a different person Walk 1 From the Holburne Museum to Beckfords Tower Bath’s Last Legal Slaveowners 2 proper tour guides on this first day walking team … Continue reading →

Richard White
Richard White 90

Interview and commentary on walking arts practice as research

For the second in the series of interviews exploring PhD students’ creative practice projects, John Edwards met Richard White at the Holburne Museum in Bath to learn more about his interdisciplinary approaches to history and landscape. My PhD is about … Continue reading →

Richard White
Richard White 90

Workhouse Walk 1

The Workhouse bell rings for the Workhouse dead Continue reading →

Richard White
Richard White 40

Crying at the Bus Stop

Crying at the Bus Stop Test of provocation for opening session of Remora: Contextualising Creative research A symposium at Bath Spa University Thursday 23 Feb 2017 In a time of post truth, fake news and alternative facts its important to … Continue reading →

Richard White
Richard White 90

Bath: the plaqued and the unplaqued

Beagles in the basement, stopped and searched on Bath’s Royal Crescent, an elopement, plaques, parties and hollow pillars. A disenchanted walk across the city, rattling railings. Setting off from the gallery where the red glow room call to our humanity … Continue reading →

Richard White
Richard White 85

On neoliberalism and the arts: thoughts walking in four gardens

(thoughts and notes from July 2016 visit to Los Angeles exploring Heritage Management with Bath Spa University and Claremont Graduate University post grad students) The PepsiCo Foundation garden for healthy eating: In the heart of restored down town Los Angeles, … Continue reading →

Richard White
Richard White 90

The Finest View in Europe.

“The road from the little village of Bath to the Fountain of the Medicinal Spring, is most horribly romantic, and partakes very much of those anticipations of the sublime of Nature, which, in his progress through particular vallies, the traveller … Continue reading →

Richard White
Richard White 75

Walking not Drowning…

Walking not Drowning …Some thoughts to walk with considering the purity of spring water….. In the days of the Atlantic trade a significant proportion of people enslaved in West Africa did not survive the journey. Thrown overboard like fruit gone … Continue reading →

Richard White
Sub-collection

creative

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Sub-collection

Participatory

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Related

Walking piece

Caminhando

Caminhando is a proposal that can be carried out by anyone, anywhere, with the following recommendations: a strip of paper should be glued in a twisted way, like a Mobius strip.

Lygia Clark
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Richard White: walking/media/heritage – Blog

Artist/researcher critically exploring walking, social media and intangible cultural heritage. Walking-with, walking and asking questions, as a creative, ecological, non-confrontational engagement with obscured and reluctant heritage.

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one step at a time like this

one step at a time like this is a group of artists who create participatory, locative and site responsive works. Based in Melbourne, Australia, on Wurundjeri and Boon Wurrung lands.

Curated news

-New Zealand Repositions Cultural Tourism Through Art Trails, Māori Experiences and Outdoor Installations-

New Zealand targets creative tourism with immersive art trails, Māori heritage experiences and regional cultural hubs to strengthen its global visitor economy. Source: -New Zealand Repositions Cultural Tourism Through Art Trails, Māori Experiences and Outdoor Installations-


oversupinate

People who jog, run, and sprint have their share of problems that slow-moving people can barely comprehend. One is oversupination. As the OED defines it, to oversupinate is “To run or walk so that the weight falls upon the outer sides of the feet to a greater extent than is necessary, desirable, etc.” A 1990 Runner’s World article gets to the crux of the problem: “It’s hard to ascertain exactly what percentage of the running population oversupinates, but it’s a fraction of the people who think they do.” Credits to Mark Peters.

Added by Geert Vermeire
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